Chinese Surplus
Heinrich, Ari Larissa
Chinese Surplus Biopolitical Aesthetics and the Medically Commodified Body / Ari Larissa Heinrich. - 1 online resource (266 p.) - Perverse Modernities: A Series Edited by Jack Halberstam and Lisa Lowe . - Perverse Modernities: A Series Edited by Jack Halberstam and Lisa Lowe .
Access copy available to the general public.
What happens when the body becomes art in the age of biotechnological reproduction? In Chinese Surplus Ari Larissa Heinrich examines transnational Chinese aesthetic production to demonstrate how representations of the medically commodified body can illuminate the effects of biopolitical violence and postcolonialism in contemporary life. From the earliest appearance of Frankenstein in China to the more recent phenomenon of "cadaver art," he shows how vivid images of a blood transfusion as performance art or a plastinated corpse without its skin-however upsetting to witness-constitute the new "realism" of our times. Adapting Foucauldian biopolitics to better account for race, Heinrich provides a means to theorize the relationship between the development of new medical technologies and the representation of the human body as a site of annexation, extraction, art, and meaning-making.
9781478091035
Science / Philosophy & Social Aspects
Science
Electronic books.
Chinese Surplus Biopolitical Aesthetics and the Medically Commodified Body / Ari Larissa Heinrich. - 1 online resource (266 p.) - Perverse Modernities: A Series Edited by Jack Halberstam and Lisa Lowe . - Perverse Modernities: A Series Edited by Jack Halberstam and Lisa Lowe .
Access copy available to the general public.
What happens when the body becomes art in the age of biotechnological reproduction? In Chinese Surplus Ari Larissa Heinrich examines transnational Chinese aesthetic production to demonstrate how representations of the medically commodified body can illuminate the effects of biopolitical violence and postcolonialism in contemporary life. From the earliest appearance of Frankenstein in China to the more recent phenomenon of "cadaver art," he shows how vivid images of a blood transfusion as performance art or a plastinated corpse without its skin-however upsetting to witness-constitute the new "realism" of our times. Adapting Foucauldian biopolitics to better account for race, Heinrich provides a means to theorize the relationship between the development of new medical technologies and the representation of the human body as a site of annexation, extraction, art, and meaning-making.
9781478091035
Science / Philosophy & Social Aspects
Science
Electronic books.