MARC details
| 000 -LEADER |
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04822cam a22006014a 4500 |
| 001 - CONTROL NUMBER |
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| control field |
muse86130 |
| 003 - CONTROL NUMBER IDENTIFIER |
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| control field |
MdBmJHUP |
| 005 - DATE AND TIME OF LATEST TRANSACTION |
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| control field |
20210127151710.0 |
| 006 - FIXED-LENGTH DATA ELEMENTS--ADDITIONAL MATERIAL CHARACTERISTICS |
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m o d |
| 007 - PHYSICAL DESCRIPTION FIXED FIELD--GENERAL INFORMATION |
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cr||||||||nn|n |
| 008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION |
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200303s2020 ncu o 00 0 eng d |
| 010 ## - LIBRARY OF CONGRESS CONTROL NUMBER |
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| Canceled/invalid LC control number |
2019041828 |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
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| International Standard Book Number |
9781478012085 |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
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| International Standard Book Number |
1478012080 |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
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| Canceled/invalid ISBN |
9781478007920 |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
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| Canceled/invalid ISBN |
1478007923 |
| 035 ## - SYSTEM CONTROL NUMBER |
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| System control number |
(OCoLC)1141022488 |
| 040 ## - CATALOGING SOURCE |
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| Original cataloging agency |
MdBmJHUP |
| Transcribing agency |
MdBmJHUP |
| 043 ## - GEOGRAPHIC AREA CODE |
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| Geographic area code |
e-fr--- |
| 050 04 - LIBRARY OF CONGRESS CALL NUMBER |
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| Classification number |
NX180.S6 |
| 082 0# - DEWEY DECIMAL CLASSIFICATION NUMBER |
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| Classification number |
709.05/015 |
| Edition number |
23 |
| 100 1# - MAIN ENTRY--PERSONAL NAME |
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| Personal name |
Woodruff, Lily, |
| Dates associated with a name |
1981- |
| Relator term |
author. |
| 245 10 - TITLE STATEMENT |
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| Title |
Disordering the Establishment |
| Remainder of title |
Participatory Art and Institutional Critique in France, 1958-1981 / |
| Statement of responsibility, etc. |
Lily Woodruff. |
| 264 #1 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE |
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| Name of producer, publisher, distributor, manufacturer |
Duke University Press, |
| 264 #3 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE |
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| Name of producer, publisher, distributor, manufacturer |
Project MUSE, |
| 300 ## - PHYSICAL DESCRIPTION |
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| Extent |
1 online resource (1 online resource) |
| 490 0# - SERIES STATEMENT |
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| Series statement |
Art history publication initiative |
| 504 ## - BIBLIOGRAPHY, ETC. NOTE |
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| Bibliography, etc. note |
Includes bibliographical references and index. |
| 505 0# - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
The Groupe de Recherche d'Art Visuel's social abstractions -- Daniel Buren's instrumental invisibility -- Andre Cadere's calligrams of institutional authority -- The Collectif d'Art Sociologique's sociological realism. |
| 506 0# - RESTRICTIONS ON ACCESS NOTE |
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| Terms governing access |
Open Access |
| Standardized terminology for access restriction |
Unrestricted online access |
| Source of term |
star |
| 520 ## - SUMMARY, ETC. |
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| Summary, etc. |
"DISORDERING THE ESTABLISHMENT tells the story of the generation of French artists who used new aesthetic forms to critique artistic and political institutions in the years leading up to and following May '68. Daniel Buren, Andre Cadere and other artists brought art to the streets, using it to question assumptions of what art should be, and where it should be seen. Focusing on four artists - or art groups - Lily Woodruff gives a nuanced account of how artists employed participatory and collective projects in varying but complementary attempts to question and redefine their historical moment. The book has four chapters. Chapter 1 describes the 1966 Groupe de Recherche d'Art Visuel (GRAV), a collective that created works asking viewers to perpetually negotiate with illusions constructed by artists, while resisting mystification. Social engineers within the context of the art world, GRAV constructed instability against the technocrats through street action that ambiguously reproduced the Establishment's techniques from a Marxian perspective. Chapter 2 highlights Daniel Buren's early gallery and street installations, which worked to decenter the viewer and critique French cultural policy through camouflage. By adopting the visual language of his environment, Buren's work played between visibility and invisibility, provocatively alienating viewers. In chapter 3, Woodruff explains how Andre Cadere's work developed on the theme of artistic autonomy in tension with avant-garde artistic strategies of the time. A migrant who relocated to Western Europe to escape persecution in communist Romania, Cadere produced a single type of iconic work based on systematically repeated formulas that were intended to neutralize his own subjectivity and the significance of the viewer's interpretation. Similar to Buren, his work was produced in both everyday and institutional spaces. Chapter 4 is about the Collectif d'Art Sociologique's (CAS) Social Realism. Rejecting traditional painting and sculpture, CAS shifted the emphasis onto the audience and made the reality of social relations appear concretely where they had otherwise been obscured by dominant ideology, making space for the constant renewal that defines democratic participation. This book will be of interest to scholars in art history, criticism and theory, and French cultural history and to readers interested in the global sixties"-- |
| Assigning source |
Provided by publisher. |
| 588 ## - SOURCE OF DESCRIPTION NOTE |
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| Source of description note |
Description based on print version record. |
| 600 11 - SUBJECT ADDED ENTRY--PERSONAL NAME |
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| Personal name |
Cadere, Andre, |
| Dates associated with a name |
1934-1978. |
| 600 11 - SUBJECT ADDED ENTRY--PERSONAL NAME |
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| Personal name |
Buren, Daniel. |
| 610 20 - SUBJECT ADDED ENTRY--CORPORATE NAME |
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| Corporate name or jurisdiction name as entry element |
Collectif d'art sociologique. |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
|---|
| Topical term or geographic name entry element |
Arts, Modern |
| Chronological subdivision |
20th century. |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
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| Topical term or geographic name entry element |
Art, French |
| General subdivision |
Government policy |
| Geographic subdivision |
France. |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
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| Topical term or geographic name entry element |
Art criticism |
| Geographic subdivision |
France |
| General subdivision |
History |
| Chronological subdivision |
20th century. |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
|---|
| Topical term or geographic name entry element |
Art |
| General subdivision |
Political aspects |
| Geographic subdivision |
France. |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
|---|
| Topical term or geographic name entry element |
Interactive art |
| Geographic subdivision |
France. |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
|---|
| Topical term or geographic name entry element |
Arts and society |
| Geographic subdivision |
France. |
| 650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM |
|---|
| Topical term or geographic name entry element |
Groupe de recherche d'art visuel. |
| 655 #7 - INDEX TERM--GENRE/FORM |
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| Genre/form data or focus term |
Electronic books. |
| Source of term |
local |
| 776 18 - ADDITIONAL PHYSICAL FORM ENTRY |
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| Relationship information |
Print version: |
| Title |
Disordering the establishment |
| Place, publisher, and date of publication |
Durham : Duke University Press, 2020. |
| International Standard Book Number |
9781478007920 |
| Record control number |
(DLC) 2019041827 |
| 710 2# - ADDED ENTRY--CORPORATE NAME |
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| Corporate name or jurisdiction name as entry element |
Project Muse. |
| Relator term |
distributor |
| 830 #0 - SERIES ADDED ENTRY--UNIFORM TITLE |
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| Uniform title |
Art history publication initiative. |
| 830 #0 - SERIES ADDED ENTRY--UNIFORM TITLE |
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| Uniform title |
Book collections on Project MUSE. |
| 856 40 - ELECTRONIC LOCATION AND ACCESS |
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| Public note |
Full text available: |
| Uniform Resource Identifier |
<a href="https://muse.jhu.edu/book/75409/">https://muse.jhu.edu/book/75409/</a> |
