Parodies of Ownership Hip-Hop Aesthetics and Intellectual Property Law / Richard L. Schur.
Material type:
TextPublisher: University of Michigan Library, Manufacturer: Project MUSE, Description: 1 online resource (xiv, 236 p.)ISBN: 9780472024490; 0472024493Subject(s): African Americans in popular culture | Hip-hop -- Influence | Intellectual property -- United States | African Americans -- Legal status, laws, etcGenre/Form: Electronic books. DDC classification: 346.7304/82 LOC classification: KF4757 | .S38 2009Online resources: Full text available: | Item type | Current library | Call number | URL | Status | Date due | Barcode |
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eBook
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Digital Library
Resources in this library are accessible in digital format e.g. eBooks or eJournals accessible online. |
KF4757 .S38 2009 (Browse shelf(Opens below)) | Link to resource | Available |
Includes bibliographical references (p. 209-226) and index.
From chattel to intellectual property : legal foundations of African American cultural critique -- Critical race theory, signifyin', and cultural ownership -- Defining hip-hop aesthetics -- Claiming ownership in the post--civil rights era -- "Fair use" and the circulation of racialized texts -- "Transformative uses" : parody and memory -- From invisibility to erasure? The consequences of hip-hop aesthetics.
Open Access Unrestricted online access star
Description based on print version record.
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