Tropes of Transport Hegel and Emotion / Katrin Pahl.
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TextPublisher: Northwestern University Press, Description: 1 online resource (292 p.)ISBN: 9780810165670Subject(s): Philosophy | PhilosophyGenre/Form: Electronic books.Online resources: View this content on Open Research Library. Summary: Intervening in the multidisciplinary debate on emotion, Tropes of Transport offers a fresh analysis of Hegel’s work that becomes an important resource for Pahl’s cutting-edge theory of emotionality. If it is usually assumed that the sincerity of emotions and the force of affects depend on their immediacy, Pahl explores to what extent mediationâ€"and therefore a certain degree of manipulation but also of sympathyâ€"is constitutive of emotionality. Hegel serves as a particularly helpful interlocutor not only because he offers a sophisticated analysis of mediation, but also because, rather than locating emotion in the heart, he introduces impersonal tropes of transport, such as trembling, release, and shattering.
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B2948 .P26 2012 (Browse shelf(Opens below)) | Link to resource | Available |
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| B2430.F724 W433 2013 Foucault's Archaeology | B2430.R274 P363 2018 Rancière's Sentiments | B2430.R554 P36 2010 The Politics of Survival | B2948 .P26 2012 Tropes of Transport | B3216.D84 I43 1945eb Asedio a Dilthey | B3279.H49 G45 1996 Los profetas y el mesías | B3317 .D54 2016 The Digital Dionysus: Nietzsche and the Network-Centric Condition |
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Intervening in the multidisciplinary debate on emotion, Tropes of Transport offers a fresh analysis of Hegel’s work that becomes an important resource for Pahl’s cutting-edge theory of emotionality. If it is usually assumed that the sincerity of emotions and the force of affects depend on their immediacy, Pahl explores to what extent mediationâ€"and therefore a certain degree of manipulation but also of sympathyâ€"is constitutive of emotionality. Hegel serves as a particularly helpful interlocutor not only because he offers a sophisticated analysis of mediation, but also because, rather than locating emotion in the heart, he introduces impersonal tropes of transport, such as trembling, release, and shattering.
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