Cross-Cultural Visions in African American Modernism From Spatial Narrative to Jazz Haiku / Yoshinobu Hakutani.
Material type:
TextPublisher: Ohio State University Press, Manufacturer: Project MUSE, Description: 1 online resource (ix, 251 p.)ISBN: 9780814272374; 0814272371Subject(s): Modernism (Literature) -- United States | African Americans -- Intellectual life -- 20th century | Influence (Literary, artistic, etc.) -- History -- 20th century | American literature -- Foreign influences | American literature -- African American authors -- History and criticismGenre/Form: Electronic books. DDC classification: 810.9/896073 LOC classification: PS153.N5 | H223 2006Online resources: Full text available: | Item type | Current library | Call number | URL | Status | Date due | Barcode | Item holds |
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eBook
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Digital Library
Resources in this library are accessible in digital format e.g. eBooks or eJournals accessible online. |
PS153.N5 H223 2006 (Browse shelf(Opens below)) | Link to resource | Available |
Includes bibliographical references (p. 235-242) and index.
The Chicago Renaissance, Theodore Dreiser, and Richard Wright's spatial narrative -- The cross-cultural vision of Ralph Ellison's Invisible man -- No name in the street : James Baldwin's exploration of American urban culture -- If Beale Street could talk : Baldwin's search for love and identity -- Jazz and Toni Morrison's urban imagination of desire and subjectivity -- Wright's The outsider and French existentialism -- Pagan Spain : Wright's discourse on religion and culture -- The African "primal outlook upon life" : Wright and Morrison -- The poetics of nature : Wright's haiku, Zen, and Lacan -- Private voice and Buddhist enlightenment in Alice Walker's The color purple -- Cross-cultural poetics : Sonia Sanchez's Like the singing coming off the drums -- James Emanuel's jazz haiku and African American individualism.
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Description based on print version record.
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