Incapacity Wittgenstein, Anxiety, and Performance Behavior / Spencer Golub.
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TextPublisher: Northwestern University Press, Description: 1 online resource (306 p.)ISBN: 9780810129924Subject(s): Philosophy / Aesthetics | PhilosophyGenre/Form: Electronic books.Online resources: View this content on Open Research Library. Summary: In this highly original study of the nature of performance, Spencer Golub uses the insights of Ludwig Wittgenstein into the way language works to analyze the relationship between the linguistic and the visual in the work of a broad range of dramatists, novelists, and filmmakers, among them Richard Foreman, Mac Wellman, Peter Handke, David Mamet, and Alfred Hitchcock. Like Wittgenstein, these artists are concerned with the limits of language's representational capacity. For Golub, it is these limits that give Wittgenstein's thought a further, very personal significanceâ€"its therapeutic quality with respect to the Obsessive Compulsive Disorder from which he suffers. Underlying what Golub calls “performance behaviorâ€_x009d_ is Wittgenstein's notion of “pain behaviorâ€_x009d_â€"that which gives public expression to private experience. Golub charts new directions for exploring the relationship between theater and philosophy, and even for scholarly criticism itself.
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Digital Library
Resources in this library are accessible in digital format e.g. eBooks or eJournals accessible online. |
B3376.W564 G655 2014 (Browse shelf(Opens below)) | Link to resource | Available |
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| B3279.H49 G45 1996 Los profetas y el mesías | B3317 .D54 2016 The Digital Dionysus: Nietzsche and the Network-Centric Condition | B3318.C56 S79 1979 Studies in Nietzsche and the Classical Tradition | B3376.W564 G655 2014 Incapacity | B3581 .P7175 1941 Principios de una ciencia nueva entorno a la naturaleza común de las naciones | B3999.M5 J3713 2018 Moral History from Herodotus to Diodorus Siculus | B4377 .K4558 2018 Kierkegaard, Literature, and the Arts |
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In this highly original study of the nature of performance, Spencer Golub uses the insights of Ludwig Wittgenstein into the way language works to analyze the relationship between the linguistic and the visual in the work of a broad range of dramatists, novelists, and filmmakers, among them Richard Foreman, Mac Wellman, Peter Handke, David Mamet, and Alfred Hitchcock. Like Wittgenstein, these artists are concerned with the limits of language's representational capacity. For Golub, it is these limits that give Wittgenstein's thought a further, very personal significanceâ€"its therapeutic quality with respect to the Obsessive Compulsive Disorder from which he suffers. Underlying what Golub calls “performance behaviorâ€_x009d_ is Wittgenstein's notion of “pain behaviorâ€_x009d_â€"that which gives public expression to private experience. Golub charts new directions for exploring the relationship between theater and philosophy, and even for scholarly criticism itself.
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