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Local Portraiture Through the Lens of the 19th Century Iranian Photographers / Carmen Perez González.

By: Perez González, Carmen, 1969- [author.]Contributor(s): Project Muse [distributor]Material type: TextTextLanguage: English, Arabic Original language: Arabic Series: Iranian Studies SeriesDescription: 1 online resource (328 pages) : facsimiles, illustrations (some color), portraits (some color)ISBN: 9789400600775; 9400600771Subject(s): Portrait photography -- Iran -- History -- 19th century | Iran -- Biography -- PortraitsGenre/Form: Electronic books. DDC classification: 770 LOC classification: TR680 | .P4637 2012Online resources: Full text available:
Contents:
Visual literacy : the relationship between the direction of writing and composition -- The written image : text and photography -- Pose, gesture and objects held by the sitter -- Arrangement of space -- Interactions between Western and Iranian photography.
Summary: Photography is clearly not a mirror of daily life: that images are constructions is especially obvious in 19th-century studio portrait photography. This book explores how indigenous Iranian photographers constructed their own realities in contrast to how foreign photographers constructed Iranians' realities. Through an in-depth comparative visual analysis of 19th-century Iranian portrait photography and Persian painting, the author arrives at the insight that aesthetic preferences correlate with socio-cultural habits and practices in writing, reading and looking. Subsequently, she advocates for a place in a global history of photography for those unknown, local photo histories (such as the Iranian one) and for the indigenous photographers who produced them.
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Includes bibliographical references and index.

Visual literacy : the relationship between the direction of writing and composition -- The written image : text and photography -- Pose, gesture and objects held by the sitter -- Arrangement of space -- Interactions between Western and Iranian photography.

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Photography is clearly not a mirror of daily life: that images are constructions is especially obvious in 19th-century studio portrait photography. This book explores how indigenous Iranian photographers constructed their own realities in contrast to how foreign photographers constructed Iranians' realities. Through an in-depth comparative visual analysis of 19th-century Iranian portrait photography and Persian painting, the author arrives at the insight that aesthetic preferences correlate with socio-cultural habits and practices in writing, reading and looking. Subsequently, she advocates for a place in a global history of photography for those unknown, local photo histories (such as the Iranian one) and for the indigenous photographers who produced them.

In English; occasional phrases in Persian with English translations.

Description based on print version record.

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