Unearthing Gender Folksongs of North India / Smita Tewari Jassal.
Material type: TextPublisher: Duke University Press, Description: 1 online resource (311 p.)ISBN: 9780822394792Subject(s): Social Science / Anthropology / Cultural & Social | Social sciencesGenre/Form: Electronic books.Online resources: View this content on Open Research Library. Summary: This book is a compelling ethnographic analysis of folksongs sung primarily by lower-caste women in north India, in the fields, at weddings, during travels, and in other settings. Smita Tewari Jassal uses these songs to explore how ideas of caste, gender, sexuality, labor, and power may be strengthened, questioned, and fine-tuned through music. At the heart of the book is a library of songs, in their original Bhojpuri and in English translation, framed by Jassal's insights into the complexities of gender and power.The significance of these folksongs, Jassal argues, lies in their suggesting and hinting at themes, rather than directly addressing them: women sing what they often cannot talk about. Women's lives, their feelings, their relationships, and their social and familial bonds are persuasively presented in song. For the ethnographer, the songs offer an entry into the everyday cultures of marginalized groups of women who have rarely been the focus of systematic analytical inquiry.Item type | Current library | Call number | URL | Status | Date due | Barcode |
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eBook |
Digital Library
Resources in this library are accessible in digital format e.g. eBooks or eJournals accessible online. |
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eBook |
Digital Library
Resources in this library are accessible in digital format e.g. eBooks or eJournals accessible online. |
PK1827.5 .J37 2012 (Browse shelf(Opens below)) | Link to resource | Available |
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This book is a compelling ethnographic analysis of folksongs sung primarily by lower-caste women in north India, in the fields, at weddings, during travels, and in other settings. Smita Tewari Jassal uses these songs to explore how ideas of caste, gender, sexuality, labor, and power may be strengthened, questioned, and fine-tuned through music. At the heart of the book is a library of songs, in their original Bhojpuri and in English translation, framed by Jassal's insights into the complexities of gender and power.The significance of these folksongs, Jassal argues, lies in their suggesting and hinting at themes, rather than directly addressing them: women sing what they often cannot talk about. Women's lives, their feelings, their relationships, and their social and familial bonds are persuasively presented in song. For the ethnographer, the songs offer an entry into the everyday cultures of marginalized groups of women who have rarely been the focus of systematic analytical inquiry.
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