Catholic University of Zimbabwe Library
Online Public Access Catalogue
(OPAC)

Technology and Film Scholarship Experience, Study, Theory / edited by Santiago Hidalgo ; foreword by Andre Gaudreault.

Contributor(s): Gaudreault, Andre [writer of foreword.] | Hidalgo, Santiago [editor.] | Project Muse [distributor]Material type: TextTextSeries: Film theory in media historyDescription: 1 online resource (264 pages) : illustrations (some color), color mapISBN: 9789048525270; 9048525276Subject(s): Performing Arts | Filmtheorie | Technology in motion pictures | Performing Arts | Technology in motion pictures -- HistoryGenre/Form: History. | Electronic books. Additional physical formats: Electronic version:: Technology and film scholarship.DDC classification: 791 LOC classification: PN1995.9.T43 | T434 2018Online resources: Full text available:
Contents:
Section I Experience -- 1. When Did Cinema Become Cinema? Technology, History, and the Moving Pictures / Charles Musser -- 2. Exhibition Practices in Transition: Spectators, Audiences, and Projectors / Jan Olsson -- 3. Reel Changes: Post-mortem Cinephilia or the Resistance of Melancholia / Andre Habib -- 4. Walter Benjamin's Play Room: Where the Future So Eloquently Nests, or: What is Cinema Again? / Dana Cooley -- Section II Study -- 5. Hitchcock, Film Studies, and New Media: The Impact of Technology on the Analysis of Film / David Colangelo -- 6. Film Analysis and Statistics: A Field Report / Charles O'Brien -- 7. A `Distant Reading' of the `Chaser Theory': Local Views and the Digital Generation of New Cinema History / Paul Moore -- Section III Theory -- 8. Cine-Graphism: A New Approach to the Evolution of Film Language through Technology / Tom Gunning -- 9. Can We Have the Cave and Leave It Too? On the Meaning of Cinema as Technology / Vinzenz Hediger -- 10. On Viewfinders, Video Assist Systems, and Tape Splicers: Questioning the History of Techniques and Technology in Cinema / Benoit Turquety.
Summary: "This volume brings together a wide range of research on the ways in which technological innovations have established new and changing conditions for the experience, study and theorization of film. Drawn from the IMPACT film conference (The Impact of Technological Innovations on the Historiography and Theory of Cinema) held in Montreal in 2011, the book includes contributions from such leading figures in the field as Tom Gunning, Charles Musser, Jan Olsson and Vinzenz Hediger."--Publisher website
Tags from this library: No tags from this library for this title.
Star ratings
    Average rating: 0.0 (0 votes)
Holdings
Item type Current library Call number URL Status Date due Barcode Item holds
eBook eBook Digital Library

Resources in this library are accessible in digital format e.g. eBooks or eJournals accessible online.

Online Access
PN1995.9.T43 T434 2018 (Browse shelf(Opens below)) Link to resource Available
Total holds: 0
Browsing Digital Library shelves, Shelving location: Online Access Close shelf browser (Hides shelf browser)
PN1995.9.R68 W56 2009 The Roman Salute PN1995.9.S4 C65 2019 Cinema of Confinement PN1995.9.S45 A53 2006 Soft in the Middle PN1995.9.T43 T434 2018 Technology and Film Scholarship PN1995.9.W6 F46 2015 Feminisms PN1995.9.W6 .F672 2017 Women in the Silent Cinema PN1995.9.W6 G39 2015 Gaze Regimes

Includes bibliographical references and index.

Machine generated contents note: Section I Experience -- 1. When Did Cinema Become Cinema? Technology, History, and the Moving Pictures / Charles Musser -- 2. Exhibition Practices in Transition: Spectators, Audiences, and Projectors / Jan Olsson -- 3. Reel Changes: Post-mortem Cinephilia or the Resistance of Melancholia / Andre Habib -- 4. Walter Benjamin's Play Room: Where the Future So Eloquently Nests, or: What is Cinema Again? / Dana Cooley -- Section II Study -- 5. Hitchcock, Film Studies, and New Media: The Impact of Technology on the Analysis of Film / David Colangelo -- 6. Film Analysis and Statistics: A Field Report / Charles O'Brien -- 7. A `Distant Reading' of the `Chaser Theory': Local Views and the Digital Generation of New Cinema History / Paul Moore -- Section III Theory -- 8. Cine-Graphism: A New Approach to the Evolution of Film Language through Technology / Tom Gunning -- 9. Can We Have the Cave and Leave It Too? On the Meaning of Cinema as Technology / Vinzenz Hediger -- 10. On Viewfinders, Video Assist Systems, and Tape Splicers: Questioning the History of Techniques and Technology in Cinema / Benoit Turquety.

Open Access Unrestricted online access star

"This volume brings together a wide range of research on the ways in which technological innovations have established new and changing conditions for the experience, study and theorization of film. Drawn from the IMPACT film conference (The Impact of Technological Innovations on the Historiography and Theory of Cinema) held in Montreal in 2011, the book includes contributions from such leading figures in the field as Tom Gunning, Charles Musser, Jan Olsson and Vinzenz Hediger."--Publisher website

Description based on print version record.

There are no comments on this title.

to post a comment.

OPENING HOURS

Weekdays: 0815hrs - 1800hrs
Weekends:0900hrs - 1200hrs

Closed for Mass:

Mon, Thur: 1200hrs - 1300hrs
Sunday & Public Holiday’s

CALL SUPPORT

0242-570570, 0242-570169
09200664, +263 8644140602

LOCATION

18443, Cranborne Avenue, Hatfield, Harare

Other Links


©2021 | CUZ Library