Conversations with Christian Metz edited by Warren Buckland and Daniel Fairfax.
Material type:
TextSeries: Film theory in media historyDescription: 1 online resource (310 pages)ISBN: 9789048526734; 9048526736Uniform titles: Interviews. Selections. English Subject(s): Metz, Christian 1931-1993 | Metz, Christian -- Interviews | Filmtheorie | Motion pictures -- Philosophy | Film critics | Motion pictures -- Philosophy | Film critics -- InterviewsGenre/Form: Interviews. | Electronic books. DDC classification: 791.4301 LOC classification: PN1995 | .M44713 2017Online resources: Full text available: Summary: "From 1968 to 1991 the acclaimed film theorist Christian Metz wrote several remarkable books on film theory. These books set the agenda of academic film studies during its formative period. Metz's ideas were taken up, digested, refined, reinterpreted, criticized and sometimes dismissed, but rarely ignored. This volume collects and translates into English a series of interviews with Metz, who offers readable summaries, elaborations, and explanations of his sometimes complex and demanding theories of film. We also discover the contents of his unpublished manuscript on jokes, his relation to Roland Barthes, and the social networks operative in the French intellectual community during the 1970s and 1980s."--Back cover.
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| PN1995 .M378 2012 Last Day Every Day: Figural Thinking from Auerbach and Kracauer to Agamben and Brenez | PN1995 .M378165 2013 Último Dia Todos os Dias: E Outros Escritos sobre Cinema e Filosofia | PN1995 .M37818 2013 Último día cada día: Y otro escrito sobre cine y filosofía | PN1995 .M44713 2017 Conversations with Christian Metz | PN1995 .M4875 2009 Writing National Cinema | PN1995 .P65 2018eb Cinematic Vitalism | PN1995.25 .B35 2013 Exhibiting Cinema in Contemporary Art |
Includes bibliographical references and index.
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"From 1968 to 1991 the acclaimed film theorist Christian Metz wrote several remarkable books on film theory. These books set the agenda of academic film studies during its formative period. Metz's ideas were taken up, digested, refined, reinterpreted, criticized and sometimes dismissed, but rarely ignored. This volume collects and translates into English a series of interviews with Metz, who offers readable summaries, elaborations, and explanations of his sometimes complex and demanding theories of film. We also discover the contents of his unpublished manuscript on jokes, his relation to Roland Barthes, and the social networks operative in the French intellectual community during the 1970s and 1980s."--Back cover.
Description based on print version record.

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