Film Museum Practice and Film Historiography Bregt Lameris.
Material type:
TextSeries: Framing filmPublisher: Amsterdam University Press, Manufacturer: Project MUSE, Description: 1 online resource (270 pages) : illustrationsISBN: 9789048526741; 9048526744Subject(s): EYE Film Instituut Nederland -- History | Nederlands Filmmuseum -- History | Motion pictures -- Historiography | Film archives -- Netherlands -- Amsterdam -- History -- 20th centuryGenre/Form: Electronic books. LOC classification: PN1993.43.A45 | L36 2017Online resources: Full text available: Summary: Rich in detail, this is a study of the interrelationships between film historical discourse and archival practices. Exploring the history of several important collections from the EYE Film Museum in Amsterdam, Bregt Lameris shows how archival films and collections always carry the historical traces of selection policies, restoration philosophies, and exhibition strategies. The result is a compelling argument that film archives can never be viewed simply as innocent or neutral sources of film history.
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PN1993.43.A45 L36 2017 (Browse shelf(Opens below)) | Link to resource | Available |
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| PN1993.4 .F725 2009 From Grain to Pixel | PN1993.4 .F725 2009 From Grain to Pixel | PN1993.4 .O63 2018 The Greatest Films Never Seen | PN1993.43.A45 L36 2017 Film Museum Practice and Film Historiography | PN1993.5.A1 S34 2019 Screen Genealogies | PN1993.5.A75 M3 2020 Independent Filmmaking across Borders in Contemporary Asia | PN1993.5.C2 P64 2004 Le cinéma québécois - Tome 2 |
Includes bibliographical references (pages 245-260) and index.
Open Access Unrestricted online access star
Rich in detail, this is a study of the interrelationships between film historical discourse and archival practices. Exploring the history of several important collections from the EYE Film Museum in Amsterdam, Bregt Lameris shows how archival films and collections always carry the historical traces of selection policies, restoration philosophies, and exhibition strategies. The result is a compelling argument that film archives can never be viewed simply as innocent or neutral sources of film history.
Description based on print version record.
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