Fanfiction and the Author How Fanfic Changes Popular Cultural Texts / Judith Fathallah.
Material type:
TextSeries: TransmediaPublisher: Amsterdam University Press, Description: 1 online resource (236 p.)ISBN: 9789048529087Subject(s): Language Arts & Disciplines / Writing | Social Science | Language artsGenre/Form: Electronic books.Online resources: View this content on Open Research Library. Summary: Whether you look at quantity, quality, or readership, we are in an unprecedented era of fan fiction. Thus far, however, the genre has been subject to relatively little rigorous qualitative or quantitative study-a problem that Judith May Fathallah remedies here through close analysis of fanfiction related to Sherlock, Supernatural, and Game of Thrones. Her large-scale study of the sites, receptions, and fan rejections of fanfic demonstrate how it often legitimates itself through traditional notions of authorship even as its explicit discussion and deconstruction of the author figure contests traditional discourses of authority and opens new spaces for writing that challenges the authority of media professionals.
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eBook
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eBook
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Digital Library
Resources in this library are accessible in digital format e.g. eBooks or eJournals accessible online. |
PN3377.5.F33 F38 2017 (Browse shelf(Opens below)) | Link to resource | Available |
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| PN3352.S48 M66 2008 The Artistic Censoring of Sexuality | PN3355 .D246 2013 The Return of the Omniscient Narrator | PN3373 .L57 2003 Reading for Storyness | PN3377.5.F33 F38 2017 Fanfiction and the Author | PN3383.N35 A234 2013 Real Mysteries | PN3383.N35 R53 2006 Unnatural Voices | PN3433.6 .P355 2016 Terraforming |
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Whether you look at quantity, quality, or readership, we are in an unprecedented era of fan fiction. Thus far, however, the genre has been subject to relatively little rigorous qualitative or quantitative study-a problem that Judith May Fathallah remedies here through close analysis of fanfiction related to Sherlock, Supernatural, and Game of Thrones. Her large-scale study of the sites, receptions, and fan rejections of fanfic demonstrate how it often legitimates itself through traditional notions of authorship even as its explicit discussion and deconstruction of the author figure contests traditional discourses of authority and opens new spaces for writing that challenges the authority of media professionals.
Description based on print version record.
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