Productive Fandom Intermediality and Affective Reception in Fan Cultures / Nicolle Lamerichs.
Material type:
TextSeries: Transmedia: particpatory culture and media convergence ; 4Publisher: Project Muse, Manufacturer: Project MUSE, Description: 1 online resource (244 pages) : illustrationsISBN: 9789048528318; 9048528313Subject(s): Fans (Persons) -- Social aspects | Television programs -- Social aspects | Television viewers -- Social aspectsGenre/Form: Electronic books. | Electronic books. Additional physical formats: Print version:: No titleDDC classification: 791.45/75 LOC classification: PN1992.55 | .L36 2018Online resources: Full text available: | Item type | Current library | Call number | URL | Status | Date due | Barcode | Item holds |
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eBook
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Digital Library
Resources in this library are accessible in digital format e.g. eBooks or eJournals accessible online. |
PN1992.55 .L36 2018 (Browse shelf(Opens below)) | Link to resource | Available |
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| PN1751 .H37 1965 Christian Rite and Christian Drama in the Middle Ages | PN1991.77.A7 G46 2019 Gender, sex and gossip in Ambridge : | PN1992.3.G4 G86 2014 Envisioning Socialism | PN1992.55 .L36 2018 Productive Fandom | PN1992.77.B84 A354 2014 The Afterlife of Genre: Remnants of the Trauerspiel in Buffy the Vampire Slayer | PN1992.77.D44 O43 2016 Of Elephants and Toothaches | PN1992.8.C66 P84 2018 The Queer Fantasies of the American Family Sitcom |
Issued as part of book collections on Project MUSE.
Includes bibliographical references and index.
Shared narratives : intermediality in fandom -- Fan membership : traditional and digital fieldwork -- Naturalizing Sherlock : Dutch fans interpret the famous -- Queer teen drama : rewriting and narrative closure in Glee -- Transmedia play : approaching the possible worlds of Firefly -- Embodied characters : the affective process of cosplay -- Conclusion : prospects for fan studies.
Open Access Unrestricted online access star
To dismantle negative stereotypes of fans, this book offers a media ethnography of the digital culture, conventions, and urban spaces associated with fandoms, arguing that fandom is an area of productive, creative, and subversive value. By examining the fandoms of Sherlock, Glee, Firefly, and other popular television-based franchises, the author appeals to fans and scholars alike in her empirically grounded methodology and insightful analysis of production hierarchies, gender, sexuality, play, and affect.
Description based on print version record.
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