Cinematic Vitalism Inga Pollmann.
Material type:
TextSeries: Film theory in media historyDescription: 1 online resource (1 online resource 295 pages) : illustrationsISBN: 9789048534005; 9048534003Subject(s): Vitalismus | Filmtheorie | Film | Motion pictures -- Philosophy | Vitalism in motion pictures | PERFORMING ARTS / General | PERFORMING ARTS / Reference | Vitalism -- In motion pictures | Motion pictures -- Philosophy | Frankreich | DeutschlandGenre/Form: Electronic books. | Electronic books. | Electronic books. Additional physical formats: Print version:: Cinematic vitalism.DDC classification: 791 LOC classification: PN1995 | .P65 2018ebOnline resources: Full text available: Summary: This book draws new connections between twentieth-century German and French film theory and practice and vitalist conceptions of life from biology and philosophy. Inga Pollmann shows how the links between the two created a modernist, experimental, and cinematic strand of vitalism in and around the movie theatre. Articulated by film theorists, filmmakers, biologists and philosophers, this cinematic vitalism maps out connections among human beings, milieus, and technologies that continue to structure our understanding of film.
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eBook
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Digital Library
Resources in this library are accessible in digital format e.g. eBooks or eJournals accessible online. |
PN1995 .P65 2018eb (Browse shelf(Opens below)) | Link to resource | Available |
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| PN1995 .M37818 2013 Último día cada día: Y otro escrito sobre cine y filosofía | PN1995 .M44713 2017 Conversations with Christian Metz | PN1995 .M4875 2009 Writing National Cinema | PN1995 .P65 2018eb Cinematic Vitalism | PN1995.25 .B35 2013 Exhibiting Cinema in Contemporary Art | PN1995.9.A8 S37 2016 Screens | PN1995.9.C45 B255 2018 The Uncanny Child in Transnational Cinema |
Includes bibliographical references, filmography and indexes.
Open Access Unrestricted online access star
This book draws new connections between twentieth-century German and French film theory and practice and vitalist conceptions of life from biology and philosophy. Inga Pollmann shows how the links between the two created a modernist, experimental, and cinematic strand of vitalism in and around the movie theatre. Articulated by film theorists, filmmakers, biologists and philosophers, this cinematic vitalism maps out connections among human beings, milieus, and technologies that continue to structure our understanding of film.
Description based on print version record.
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