Ethics and integrity in visual research methods / edited by Savannah Dodd (Queen's University Belfast, UK).
Material type:
TextSeries: Advances in research ethics and integrity ; v. 5.Publisher: Emerald Publishing Limited, Description: 1 online resource (xviii, 206 pages) ; cmISBN: 9781787694217Subject(s): Visual sociology | Photography -- Moral and ethical aspects | Mass media | Social Science -- Sociology -- General | SociologyAdditional physical formats: No titleDDC classification: 302.23 LOC classification: HM500 | .E84 2020Online resources: Click here to access online Summary: Ethics and Integrity in Visual Research Methods aims to unpack the multiple considerations for ethics and integrity that accompany research methods involving visual data generation and analysis. This volume focuses on the media of photography and film. Contributing authors cover a variety of topics, including: consent and dignity when working with vulnerable and marginalized populations; the limitations of participatory methods within a context of inequity and postcolonialism; the challenges of anonymising visual data; and the risks of sharing visual data online. The authors share their experiences of working with visual methods across a range of contexts, making recommendations for best practice. This volume is intended to be practical, and the key messages aim to be concrete and applicable for anyone embarking on visual methods research.
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| HM499 .S78 2012 Studies in symbolic interaction. | HM499 .S96 2016 Symbolic interactionist takes on music | HM499 .T44 2018 The interaction order / | HM500 .E84 2020 Ethics and integrity in visual research methods / | HM511 .G46 2016 Gender identity and research relationships | HM511 .I58 2014 Intersectionality and social change | HM533 .G56 2017 Sociometrics and human relationships : |
Includes index.
Ethics and Integrity in Visual Research Methods aims to unpack the multiple considerations for ethics and integrity that accompany research methods involving visual data generation and analysis. This volume focuses on the media of photography and film. Contributing authors cover a variety of topics, including: consent and dignity when working with vulnerable and marginalized populations; the limitations of participatory methods within a context of inequity and postcolonialism; the challenges of anonymising visual data; and the risks of sharing visual data online. The authors share their experiences of working with visual methods across a range of contexts, making recommendations for best practice. This volume is intended to be practical, and the key messages aim to be concrete and applicable for anyone embarking on visual methods research.
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