Parental grief and photographic remembrance : a historical account of undying love / authored by Felicity T.C. Hamer (Concordia University, Canada).
Material type:
TextSeries: Sharing death onlinePublisher: Emerald Publishing Limited, Description: 1 online resource (144 pages)ISBN: 9781787693258Subject(s): Parental grief | Social media -- Psychological aspects | Postmortem photography | Psychology, Grief & Loss | Psychology: emotionsAdditional physical formats: No titleDDC classification: 155.937085 LOC classification: BF575.G7 | H36 2020Online resources: Click here to access online | Item type | Current library | Call number | URL | Status | Date due | Barcode | Item holds |
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| BF531 .I53 2006 Individual and organizational perspectives on emotion management and display | BF575.F2 H57 2019 Historicizing Fear | BF575.F2 M497 2009 Los miedos en la historia | BF575.G7 H36 2020 Parental grief and photographic remembrance : | BF575.H85 S85 2019 Humiliation : | BF575.R33 P75 2017 A Theory of Regret | BF611 .H46 2011 Choice modelling |
Includes index.
Includes bibliographical references.
Introduction. Something to remember them by -- Chapter 1: In their image -- Chapter 2: Photographic reunion -- Chapter 3: Embellishing trace conclusion in loving memories.
Photographic portraits of those who have passed have the potential to become valuable sites of remembrance. Across North America and Western Europe, parents are increasingly unfamiliar with death; lacking the rituals and tools that have historically eased the bereavement process. This book shines a light on how semi-private social media groups enable the bereaved parents of today to navigate their grief in the modern world. The author explores how creative, and sometimes contested, incorporations of photography within these online spaces demonstrate a revival and renegotiation of historic practices. By shining a light on recurrent tendencies and their evolution within new media this book offers an opportunity to observe the complex relationships grief can prompt some individuals to form with the portraits of absent loved ones. As social networking sites continue to enable the reinsertion of death within the social realm, the author looks ahead: might we begin to see a revival and increased openness towards end-of-life, post-mortem and funerary photography? As bereavement increasingly becomes something communicated in an online context, what new types of embellishments to the photographic portrait might we encounter?
Print version record.

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