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From Orientalism to Cultural Capital The Myth of Russia in British Literature of the 1920s / Olga Soboleva, Angus Wrenn.

By: Soboleva, Olga [author.]Contributor(s): Wrenn, Angus [author.]Material type: TextTextPublisher: Peter Lang International Academic Publishers, Description: 1 online resource (353 p.)ISBN: 9781787073944Subject(s): Literary Criticism | Literary Criticism / European / English, Irish, Scottish, Welsh | Literature -- History and criticismGenre/Form: Electronic books.Online resources: View this content on Open Research Library. Summary: From Orientalism to Cultural Capital presents a fascinating account of the wave of Russophilia that pervaded British literary culture in the early twentieth century. The authors bring a new approach to the study of this period, exploring the literary phenomenon through two theoretical models from the social sciences: Orientalism and the notion of «cultural capital» associated with Pierre Bourdieu. Examining the responses of leading literary practitioners who had a significant impact on the institutional transmission of Russian culture, they reassess the mechanics of cultural dialogism, mediation and exchange, casting new light on British perceptions of modernism as a transcultural artistic movement and the ways in which the literary interaction with the myth of Russia shaped and intensified these cultural views.
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From Orientalism to Cultural Capital presents a fascinating account of the wave of Russophilia that pervaded British literary culture in the early twentieth century. The authors bring a new approach to the study of this period, exploring the literary phenomenon through two theoretical models from the social sciences: Orientalism and the notion of «cultural capital» associated with Pierre Bourdieu. Examining the responses of leading literary practitioners who had a significant impact on the institutional transmission of Russian culture, they reassess the mechanics of cultural dialogism, mediation and exchange, casting new light on British perceptions of modernism as a transcultural artistic movement and the ways in which the literary interaction with the myth of Russia shaped and intensified these cultural views.

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