TY  - BOOK
AU  - Pantenburg,Volker
AU  - Turnbull,Michael
ED  - Project Muse
ED  - Internationales Kolleg für Kulturtechnikforschung und Medienphilosophie.
ED  - Project Muse.
TI  - Farocki/Godard
T2  - IKKM books
SN  - 9789048527557
AV  - PN1998.3.F365 P3613 2015
U1  - 791 
PB  - Project Muse
KW  - Farocki, Harun
KW  - Godard, Jean-Luc,
KW  - Motion pictures
KW  - Philosophy
KW  - Electronic books
KW  - Electronic books.
KW  - local
N1  - "Originally published as 'Volker Pantenburg, Film als Theorie. Bildforschung bei Harun Farocki und Jean-Luc Godard', transcript Verlag, 2006"--Title page verso; Issued as part of book collections on Project MUSE; Includes bibliographical references (pages 263-275) and indexes; Introduction: Two Image Researchers -- 1. Le film qui pense: Image, Theory, Practice -- Film as a "Concrete Medium" -- Film Theories / Film as Theory -- Difference and Theory -- Montage and Cinematic Thinking -- 2. The Camera as Brush -- Film and Painting: Narrating with Images: Breathless -- Exploding the Museum: Pierrot le fou -- Arranging Things: Still Life -- Processing Images: Passion -- 3. Deviation as Norm -- Notes on the Essay Film -- 4. Cut -- Interlude in the Editing Room: What an Editing Room is: Interface -- Montage, toujours: JLG/JLG -- 5. Taking Pictures -- Photography and Film: Displacing: The Carabineers -- Rendering: Before Your Eyes Vietnam -- Surveying: Images of the World and The Inscription of War -- 6. Two or Three Ways of Speaking with the Hands: Asking Oneself: La Chinoise / Vent d'est -- Offering Oneself: Nouvelle vague -- Wxpressing Oneself: Georg K. Glaser / The Expression of Hands -- Conclusion; Open Access
N2  - This book brings together two major filmmakers--German avant-gardist Harun Farocki and French New Wave master Jean-Luc Godard--to explore the fundamental tension between theoretical abstraction and the capacities of film itself, a medium where everything seen onscreen is necessarily concrete. Volker Pantenburg shows how these two filmmakers explored the potential of combined shots and montage to create "film as theory."
UR  - https://muse.jhu.edu/book/66282/
ER  -