03931cam a22004454a 4500 muse87176 MdBmJHUP 20210127151801.0 m o d cr||||||||nn|n 200729r20202015nyu o 00 0 eng d 9780692541555 (OCoLC)1181774786 MdBmJHUP MdBmJHUP PN1995.9.R27 V58 2015 Vitanza, Victor J., author. Chaste Cinematics Victor J. Vitanza. Project Muse, Project MUSE, 1 online resource (xxx, 243 pages) : illustrations Issued as part of book collections on Project MUSE. Includes bibliographical references (pages 219-243). Preamble. Behind the ob-scenes (or, confronting the preamble) -- Chaste cinema I? -- Chaste cinema II+? -- Chaste cinema III? -- Excursus : the assessment-test event -- Alternate endings with rebeginnings? -- Easter eggs -- Deleted scenes. Open Access Unrestricted online access star Victor J. Vitanza (author of Sexual Violence in Western Thought and Writing) continues to rethink the problem of sexual violence in cinema and how rape is often represented in "chaste" ways, in the form of a Chaste Cinematics. Vitanza continues to discuss Chaste Cinematics as participating in transdisciplinary-rhetorical traditions that establish the very foundations (groundings, points of stasis) for nation states and cultures. In this offering, however, the initial grounding for the discussions is "base materialism" (George Bataille): divine filth, the sacred and profane. It is this post-philosophical base materialism that destabilizes binaries, fixedness, and brings forth excluded thirds. Vitanza asks: why is it that a repressed third, or a third figure, returns, most strangely as a "product" of rape and torture? He works with Jean-Paul Sartre and Page duBois's suggestion that the "product" is a new "species." Always attempting unorthodox ways of approaching social problems, Vitanza organizes his table of contents as a DVD menu of "Extras" (supplements). This menu includes Alternate Endings and Easter Eggs as well as an Excursus, which invokes readers to take up the political exigency of the DVD-Book. Vitanza's first "Extra" studies a trio of films that need to be reconsidered, given what they offer as insights into Chaste Cinematics: Amadeus (a mad god), Henry Fool (a foolish god), and Multiple Maniacs (a divine god who is raped and eats excrement). The second examines Helke Sander's documentary Liberators Take Liberties, which re-thinks the rapes of German women by the Russians and Allies during the Battle of Berlin. The third rethinks Margie Strosser's video-film Rape Stories that calls for revenge. In the Alternate Endings, Vitanza rethinks the problem of reversibility in G. Noe's Irreversible. In the Easter Eggs, he considers Dominique Laporte's "the Irreparable," as the object of loss and Giorgio Agamben's "the Irreparable," as hope in what is without remedy. The result is not another film-studies book, but a new genre, a new set of rhetorics, for new ways of thinking about cinematics, perhaps postcinematics. Description based on print version record. Motion pictures Philosophy. Rape in motion pictures History and criticism. Electronic books. Electronic books. local Project Muse, distributor. Print version: 9780692541555 Project Muse. distributor Book collections on Project MUSE. Full text available: https://muse.jhu.edu/book/76491/ 27012 27012 0 0 lcc 0 0 DL DL OA 2021-01-27 0 PN1995.9.R27 V58 2015 2021-01-27 https://muse.jhu.edu/book/76491/ 2021-01-27 EBOOK