Hip Sublime Beat Writers and the Classical Tradition / Ralph Rosen, Sheila Murnaghan.
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TextPublisher: The Ohio State University Press, Description: 1 online resource (306 p.)ISBN: 9780814213551Subject(s): Literary Criticism / Ancient & Classical | Literature -- History and criticismGenre/Form: Electronic books.Online resources: View this content on Open Research Library. Summary: In their continual attempt to transcend what they perceived as the superficiality, commercialism, and precariousness of life in post-World War II America, the Beat writers turned to the classical authors who provided, on the one hand, a discourse of sublimity to help them articulate their desire for a purity of experience, and, on the other, a venerable literary heritage. This volume examines for the first time the intersections between the Beat writers and the Greco-Roman literary tradition. Many of the “Beatsâ€_x009d_ were university-trained and highly conscious of their literary forebears, frequently incorporating their knowledge of Classical literature into their own avant-garde, experimental practice. The interactions between writers who fashioned themselves as new and iconoclastic, and a venerable literary tradition often seen as conservative and culturally hegemonic, produced fascinating tensions and paradoxes, which are explored here by a diverse group of contributors.
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eBook
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Digital Library
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PS228.B6 H57 2018 (Browse shelf(Opens below)) | Link to resource | Available |
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In their continual attempt to transcend what they perceived as the superficiality, commercialism, and precariousness of life in post-World War II America, the Beat writers turned to the classical authors who provided, on the one hand, a discourse of sublimity to help them articulate their desire for a purity of experience, and, on the other, a venerable literary heritage. This volume examines for the first time the intersections between the Beat writers and the Greco-Roman literary tradition. Many of the “Beatsâ€_x009d_ were university-trained and highly conscious of their literary forebears, frequently incorporating their knowledge of Classical literature into their own avant-garde, experimental practice. The interactions between writers who fashioned themselves as new and iconoclastic, and a venerable literary tradition often seen as conservative and culturally hegemonic, produced fascinating tensions and paradoxes, which are explored here by a diverse group of contributors.
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