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Arrival Cities Migrating Artists and New Metropolitan Topographies in the 20th Century / edited by Burcu Dogramaci, Mareike Hetschold, Laura Karp Lugo, Rachel Lee and Helene Roth.

Contributor(s): Roth, Helene [editor.] | Lee, Rachel (Postdoctoral fellow) [editor.] | Laura, Karp Lugo [editor.] | Hetschold, Mareike [editor.] | Dogramaci, Burcu [editor.] | Project Muse [distributor.] | Project Muse [distributor]Material type: TextTextPublisher: Project Muse, Manufacturer: Project MUSE, Description: 1 online resource (1 EPUB unpaged) : illustrations (some color), color mapsISBN: 9789461663245Subject(s): Emigration and immigration -- Social aspects | Arts and society | Modernism (Art) | Expatriate artists -- History -- 20th century | Art and citiesGenre/Form: Electronic books. | Electronic books. Additional physical formats: Print version:: No titleLOC classification: N72.C58 | A673 2020Online resources: Full text available: Summary: Exile and migration played a critical role in the diffusion and development of modernism around the globe, yet have long remained largely understudied phenomena within art historiography. Focusing on the intersections of exile, artistic practice and urban space, this volume brings together contributions by international researchers committed to revising the historiography of modern art. It pays particular attention to metropolitan areas that were settled by migrant artists in the first half of the 20th century. These arrival cities developed into hubs of artistic activities and transcultural contact zones where ideas circulated, collaborations emerged, and concepts developed. Taking six major cities as a starting point--Bombay (now Mumbai), Buenos Aires, Istanbul, London, New York, and Shanghai -- the authors explore how urban topographies and landscapes were modified by exiled artists re-establishing their practices in metropolises across the world. Questioning the established canon of Western modernism, Arrival Cities investigates how the migration of artists to different urban spaces impacted their work and the historiography of art. In doing so, it aims to encourage the discussion between international scholars from different research fields, such as exile studies, art history, social history, architectural history, architecture, and urban studies.
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Exile and migration played a critical role in the diffusion and development of modernism around the globe, yet have long remained largely understudied phenomena within art historiography. Focusing on the intersections of exile, artistic practice and urban space, this volume brings together contributions by international researchers committed to revising the historiography of modern art. It pays particular attention to metropolitan areas that were settled by migrant artists in the first half of the 20th century. These arrival cities developed into hubs of artistic activities and transcultural contact zones where ideas circulated, collaborations emerged, and concepts developed. Taking six major cities as a starting point--Bombay (now Mumbai), Buenos Aires, Istanbul, London, New York, and Shanghai -- the authors explore how urban topographies and landscapes were modified by exiled artists re-establishing their practices in metropolises across the world. Questioning the established canon of Western modernism, Arrival Cities investigates how the migration of artists to different urban spaces impacted their work and the historiography of art. In doing so, it aims to encourage the discussion between international scholars from different research fields, such as exile studies, art history, social history, architectural history, architecture, and urban studies.

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