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001			muse71096
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005			20210127151207.0
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008			170906s2018 ncu o 00 0 eng d
010			_z 2017033262
020			_a9780822372400
020			_z9780822369356
020			_z9780822369509
035			_a(OCoLC)1048190529
040			_aMdBmJHUP _cMdBmJHUP
043			_ae-gx---
050	0	4	_aML410.H4 _bK537 2018
082	0		_a780.92 _223
100	1		_aKnapp, Raymond, _eauthor.
245	1	0	_aMaking Light _bHaydn, Musical Camp, and the Long Shadow of German Idealism / _cRaymond Knapp.
300			_a1 online resource (xix, 380 pages) : _billustrations, music ;
504			_aIncludes bibliographical references (pages 343-366) and index.
505	0		_aApproaching the absolute -- Idealizing music -- Haydn's difference -- Entertaining possibilities in Haydn's symphonies -- Haydn, the string quartet, and the (d)evolution of the chamber ideal -- New world dualities -- Popular music contra German idealism: Anglo-American rebellions from minstrelsy to camp -- "Popular music" qua German idealism: authenticity and its outliers -- Musical virtues and vices in the latter-day new world -- Appendix a: More extended musical examples -- Appendix b: Listing of video examples from films.
506	0		_aOpen Access _fUnrestricted online access _2star
520			_aTraces the musical legacy of German Idealism as it led to the declining prestige of composers such as Haydn while influencing the development of American popular music in the nineteenth century. The author identifies in Haydn and in early popular American musical cultures such as minstrelsy and operetta a strain of high camp - a mode of engagement that relishes both the superficial and serious aspects of an aesthetic experience - that runs antithetical to German Idealism's musical paradigms. By considering the disservice done to Haydn by German Idealism alongside the emergence of musical camp in American popular music, the author outlines a common ground: a humanistically based aesthetic of shared pleasure that points to ways in which camp receptive modes might rejuvenate the original appeal of Haydn's music that has mostly eluded audiences. In so doing, the author remaps the historiographical modes and systems of critical evaluation that dominate musicology while troubling the divide between serious and popular music.
588			_aDescription based on print version record.
600	1	1	_aHaydn, Joseph, _d1732-1809 _xCriticism and interpretation.
650		0	_aMusic _xPhilosophy and aesthetics.
650		0	_aIdealism, German.
655		7	_aElectronic books. _2local
776	1	8	_iOnline version: _tMaking light _dDurham : Duke University Press, 2018 _z9780822372400 _w(DLC) 2017044572
710	2		_aProject Muse. _edistributor
830		0	_aBook collections on Project MUSE.
856	4	0	_zFull text available: _uhttps://muse.jhu.edu/book/61311/
999			_c24965 _d24965