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| 001 | 103110 | ||
| 003 | KnowledgeUnlatched | ||
| 005 | 20210303105030.0 | ||
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| 007 | cr u|||||||||| | ||
| 008 | 210129p20192019ilu o u00| u eng d | ||
| 037 | _5BiblioBoard | ||
| 245 | 0 | 0 |
_aCinema of Confinement _cThomas Connelly. |
| 020 | _a9780810139220 | ||
| 029 | 1 | _ahttps://library.biblioboard.com/ext/api/media/7ef60a23-59ec-4b79-bc28-aa24df976d3a/assets/thumbnail.jpg | |
| 040 |
_aScCtBLL _cScCtBLL |
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| 100 | 1 |
_aConnelly, Thomas _eauthor. |
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| 264 | 1 | _bNorthwestern University Press, | |
| 300 | _a1 online resource (1 p.) | ||
| 506 | 0 |
_aAccess copy available to the general public. _fUnrestricted _2star |
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| 520 | _a"In this book, Thomas J. Connelly draws on a number of key psychoanalytic concepts from the works of Jacques Lacan, Slavoj Žižek, Joan Copjec, Michel Chion, and Todd McGowan to identify and describe a genre of cinema characterized by spatial confinement. Examining classic films such as Alfred Hitchcock's Rope and Stanley Kubrick's The Shining, as well as current films such as Room, Green Room, and 10 Cloverfield Lane, Connelly shows that the source of enjoyment of confined spaces lies in the viewer's relationship to excess. Cinema of Confinement offers rich insights into the appeal of constricted filmic spaces at a time when one can easily traverse spatial boundaries within the virtual reality of cyberspace." | ||
| 588 | 0 | _aDescription based on print version record. | |
| 590 | _aKU Select 2018: HSS Frontlist Books | ||
| 650 | 7 |
_aPerforming Arts / Film / History & Criticism _2bisacsh |
|
| 650 | 0 | _aPerforming arts | |
| 655 | 0 | _aElectronic books. | |
| 758 |
_iIs found in: _aKnowledge Unlatched _1https://openresearchlibrary.org/module/2774bc74-146a-484f-a7ba-ab1d6a09bbfb |
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| 856 | 4 | 0 |
_uhttps://openresearchlibrary.org/content/7ef60a23-59ec-4b79-bc28-aa24df976d3a _zView this content on Open Research Library. _70 |
| 999 |
_c25091 _d25091 |
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