000			02359nam a22003977a 4500
001			100288
003			KnowledgeUnlatched
005			20210303105334.0
006			m o d
007			cr u||||||||||
008			210129p20172018ncu o u00| u eng d
035			_a(OCoLC)960969338
037			_5BiblioBoard
245	0	0	_aImprovisation and Social Aesthetics _cGeorgina Born, Eric Lewis, Will Straw.
020			_a9780822374015
029	1		_ahttps://library.biblioboard.com/ext/api/media/43939696-bb04-4cdc-a5f4-f511ad33609d/assets/thumbnail.jpg
040			_aScCtBLL _cScCtBLL
506	0		_aAccess copy available to the general public. _fUnrestricted _2star
700	1		_aBorn, Georgina _eeditor.
700	1		_aLewis, Eric _eeditor.
700	1		_aStraw, Will _eeditor.
264		1	_bDuke University Press,
300			_a1 online resource (361 p.)
520			_aAddressing a wide range of improvised art and music formsâ€"from jazz and cinema to dance and literatureâ€"this volume's contributors locate improvisation as a key site of mediation between the social and the aesthetic. As a catalyst for social experiment and political practice, improvisation aids in the creation, contestation, and codification of social realities and identities. Among other topics, the contributors discuss the social aesthetics of the Association for the Advancement of Creative Musicians, the Feminist Improvising Group, and contemporary Malian music, as well as the virtual sociality of interactive computer music, the significance of "uncreative" improvisation, responses to French New Wave cinema, and the work of figures ranging from bell hooks and Billy Strayhorn to Kenneth Goldsmith.
588	0		_aDescription based on print version record.
590			_aKU Select 2016 Front List Collection
650		7	_aMusic / History & Criticism _2bisacsh
650		7	_aMusic _2bisacsh
650		0	_aMusic
655		0	_aElectronic books.
758			_iIs found in: _aKnowledge Unlatched _1https://openresearchlibrary.org/module/2774bc74-146a-484f-a7ba-ab1d6a09bbfb
856	4	0	_uhttps://openresearchlibrary.org/content/43939696-bb04-4cdc-a5f4-f511ad33609d _zView this content on Open Research Library. _70
999			_c25196 _d25196