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037			_5BiblioBoard
245	0	0	_aAmerican Stravinsky _bThe Style and Aesthetics of Copland's New American Music, the Early Works, 1921-1938 / _cGayle Murchison.
020			_a9780472099849
029	1		_ahttps://library.biblioboard.com/ext/api/media/44f9167f-eafb-448c-a996-70dbb4aa6d63/assets/thumbnail.jpg
040			_aScCtBLL _cScCtBLL
100	1		_aMurchison, Gayle _eauthor.
264		1	_bUniversity of Michigan Press,
300			_a1 online resource (306 p.)
506	0		_aAccess copy available to the general public. _fUnrestricted _2star
520			_aOne of the country's most enduringly successful composers, Aaron Copland created a distinctively American style and aesthetic in works for a diversity of genres and mediums, including ballet, opera, and film. Also active as a critic, mentor, advocate, and concert organizer, he played a decisive role in the growth of serious music in the Americas in the twentieth century. In The American Stravinsky, Gayle Murchison closely analyzes selected works to discern the specific compositional techniques Copland used, and to understand the degree to which they derived from European models, particularly the influence of Igor Stravinsky. Murchison examines how Copland both Americanized these models and made them his own, thereby finding his own compositional voice. Murchison also discusses Copland's aesthetics of music and his ideas about its purpose and social function.
588	0		_aDescription based on print version record.
590			_aKU Select 2017: Backlist Collection
650		7	_aMusic / History & Criticism _2bisacsh
650		0	_aMusic
655		0	_aElectronic books.
758			_iIs found in: _aKnowledge Unlatched _1https://openresearchlibrary.org/module/2774bc74-146a-484f-a7ba-ab1d6a09bbfb
856	4	0	_uhttps://openresearchlibrary.org/content/44f9167f-eafb-448c-a996-70dbb4aa6d63 _zView this content on Open Research Library. _70
999			_c25352 _d25352