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037			_5BiblioBoard
245	0	4	_aThe gothic novel in Ireland _bc. 1760-1829 / _cChristina Morin.
020			_a9781526122308
029	1		_ahttps://library.biblioboard.com/ext/api/media/88ddd8e7-4dc1-40e1-844a-b68ed42144fb/assets/thumbnail.jpg
040			_aScCtBLL _cScCtBLL
100	1		_aMorin, Christina _eauthor.
264		1	_bManchester University Press,
300			_a1 online resource (248 p.)
506	0		_aAccess copy available to the general public. _fUnrestricted _2star
520			_aThe Gothic Novel in Ireland, 1760-1830 reveals how the Irish contribution to the rise of the gothic novel is all too frequently overlooked. Irish writers were actively engaged in shaping the form now conventionally understood as beginning with Horace Walpole's The Castle of Otranto (1764). Obviously an important text in the evolution of the gothic mode, the ostensibly pioneering Castle of Otranto was actually preceded by two Irish novels: Thomas Leland's Longsword (1762) and The Adventures of Miss Sophia Berkley (1760), by ‘A Young Lady'. Neither of these texts overshadows Walpole's, but their omission from the literary history of the British gothic novel is nevertheless a telling indication of the exclusionary nature of current scholarly perspectives. Christina Morin's adroit and percipient text reveals how the Gothic was very much an international genre.
588	0		_aDescription based on print version record.
590			_aKU Select 2017: Front list Collection
650		7	_aLiterary Criticism / Gothic & Romance _2bisacsh
650		0	_aLiterature _xHistory and criticism
655		0	_aElectronic books.
758			_iIs found in: _aKnowledge Unlatched _1https://openresearchlibrary.org/module/2774bc74-146a-484f-a7ba-ab1d6a09bbfb
856	4	0	_uhttps://openresearchlibrary.org/content/88ddd8e7-4dc1-40e1-844a-b68ed42144fb _zView this content on Open Research Library. _70
999			_c25449 _d25449