| 000 | 03761cam a22006134a 4500 | ||
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| 001 | muse76486 | ||
| 003 | MdBmJHUP | ||
| 005 | 20210127151337.0 | ||
| 006 | m o d | ||
| 007 | cr||||||||nn|n | ||
| 008 | 190816r20192015ne o 00 0 eng d | ||
| 020 | _a9789048527557 | ||
| 020 | _a9048527554 | ||
| 020 | _z9789089648914 | ||
| 020 | _z9089648917 | ||
| 035 | _a(OCoLC)1112364138 | ||
| 040 |
_aMdBmJHUP _cMdBmJHUP |
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| 041 | 1 |
_aeng _hger |
|
| 050 | 4 |
_aPN1998.3.F365 _bP3613 2015 |
|
| 082 | 0 | _a791 | |
| 100 | 1 |
_aPantenburg, Volker, _d1973- _eauthor. |
|
| 240 | 1 | 0 |
_aFilm als Theorie. _lEnglish |
| 245 | 1 | 0 |
_aFarocki/Godard _cVolker Pantenburg ; translated by Micheal Turnbull. |
| 264 | 1 | _bProject Muse, | |
| 264 | 3 | _bProject MUSE, | |
| 300 |
_a1 online resource (285 pages) : _billustrations. |
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| 490 | 0 |
_aIKKM books ; _vvolume 25 |
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| 490 | 0 | _aFilm Culture in Transition | |
| 500 | _a"Originally published as 'Volker Pantenburg, Film als Theorie. Bildforschung bei Harun Farocki und Jean-Luc Godard', transcript Verlag, 2006"--Title page verso. | ||
| 500 | _aIssued as part of book collections on Project MUSE. | ||
| 504 | _aIncludes bibliographical references (pages 263-275) and indexes. | ||
| 505 | 0 | _aIntroduction: Two Image Researchers -- 1. Le film qui pense: Image, Theory, Practice -- Film as a "Concrete Medium" -- Film Theories / Film as Theory -- Difference and Theory -- Montage and Cinematic Thinking -- 2. The Camera as Brush -- Film and Painting: Narrating with Images: Breathless -- Exploding the Museum: Pierrot le fou -- Arranging Things: Still Life -- Processing Images: Passion -- 3. Deviation as Norm -- Notes on the Essay Film -- 4. Cut -- Interlude in the Editing Room: What an Editing Room is: Interface -- Montage, toujours: JLG/JLG -- 5. Taking Pictures -- Photography and Film: Displacing: The Carabineers -- Rendering: Before Your Eyes Vietnam -- Surveying: Images of the World and The Inscription of War -- 6. Two or Three Ways of Speaking with the Hands: Asking Oneself: La Chinoise / Vent d'est -- Offering Oneself: Nouvelle vague -- Wxpressing Oneself: Georg K. Glaser / The Expression of Hands -- Conclusion. | |
| 506 | 0 |
_aOpen Access _fUnrestricted online access _2star |
|
| 520 | _aThis book brings together two major filmmakers--German avant-gardist Harun Farocki and French New Wave master Jean-Luc Godard--to explore the fundamental tension between theoretical abstraction and the capacities of film itself, a medium where everything seen onscreen is necessarily concrete. Volker Pantenburg shows how these two filmmakers explored the potential of combined shots and montage to create "film as theory." | ||
| 588 | _aDescription based on print version record. | ||
| 600 | 1 | 1 |
_aFarocki, Harun _xCriticism and interpretation. |
| 600 | 1 | 1 |
_aGodard, Jean-Luc, _d1930- _xCriticism and interpretation. |
| 650 | 0 |
_aMotion pictures _xPhilosophy. |
|
| 655 | 0 | _aElectronic books. | |
| 655 | 7 |
_aElectronic books. _2local |
|
| 700 | 1 |
_aTurnbull, Michael, _d1959- _etranslator. |
|
| 710 | 2 |
_aProject Muse _edistributor. |
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| 710 | 2 | _aInternationales Kolleg für Kulturtechnikforschung und Medienphilosophie. | |
| 776 | 1 | 8 |
_iPrint version: _z9789089648914 _z9089648917 |
| 710 | 2 |
_aProject Muse. _edistributor |
|
| 830 | 0 |
_aSchriften des Internationalen Kollegs für Kulturtechnikforschung und Medienphilosophie ; _vBd. 25. |
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| 830 | 0 | _aFilm culture in transition. | |
| 830 | 0 | _aBook collections on Project MUSE. | |
| 856 | 4 | 0 |
_zFull text available: _uhttps://muse.jhu.edu/book/66282/ |
| 999 |
_c25465 _d25465 |
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