| 000 | 03545cam a22004694a 4500 | ||
|---|---|---|---|
| 001 | muse87274 | ||
| 003 | MdBmJHUP | ||
| 005 | 20210127151729.0 | ||
| 006 | m o d | ||
| 007 | cr||||||||nn|n | ||
| 008 | 200310s2020 miu o 00 0 eng d | ||
| 010 | _z 2020011847 | ||
| 020 | _a9780472901289 | ||
| 020 | _z9780472074501 | ||
| 020 | _z9780472054503 | ||
| 035 | _a(OCoLC)1147928421 | ||
| 040 |
_aMdBmJHUP _cMdBmJHUP |
||
| 050 | 0 | 4 |
_aML3916 _b.F67 2020 |
| 082 | 0 |
_a780.9 _223 |
|
| 100 | 1 |
_aFosler-Lussier, Danielle, _d1969- _eauthor. |
|
| 245 | 1 | 0 |
_aMusic on the Move _cDanielle Fosler-Lussier. |
| 264 | 1 | _bUniversity of Michigan Press, | |
| 264 | 3 | _bProject MUSE, | |
| 300 | _a1 online resource (pages cm) | ||
| 504 | _aIncludes bibliographical references and index. | ||
| 505 | 0 | _aMigration. Colonialism in Indonesia : Music Moving with an Occupying Force ; The Romani Diaspora in Europe : Mutual Influences ; The African Diaspora in the United States : Appropriation and Assimilation -- Mediation. Sound Recording and the Mediation of Music ; Music and Media in the Service of the State -- Mashup. Composing the Mediated Self ; Copyright, Surveillance, and the Ownership of Music ; Localizations : Mediated Selves Mixing Musics -- Conclusion: Violence, Difference, and Peacemaking in a Globalized World. | |
| 506 | 0 |
_aOpen Access _fUnrestricted online access _2star |
|
| 520 |
_a"Music is a mobile art. When people move to faraway places, whether by choice or by force, they bring their music along. Music creates a meaningful point of contact for individuals and for groups; it can encourage curiosity and foster understanding, and it can preserve a sense of identity and comfort in an unfamiliar or hostile environment. Above all, music continually changes as it crosses cultural, linguistic, and political boundaries. While human mobility and mediation have always shaped music-making, our current era of digital connectedness introduces new creative opportunities and inspiration even as it extends concerns about issues such as copyright infringement and cultural appropriation. With its innovative multimodal approach, Music on the Move invites readers to listen and engage with many different types of music as they read. The text introduces a variety of concepts related to music's travels-with or without its makers-including colonialism, migration, diaspora, mediation, propaganda, copyright, and hybridity. The case studies represent a variety of musical genres and styles, Western and non-Western, concert music, traditional music, and popular music. Over one hundred audiovisual examples throughout the book demonstrate the application of particular concepts, and six interactive digital maps visually present music's global reach"-- _cProvided by publisher. |
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| 588 | _aDescription based on print version record. | ||
| 650 | 0 | _aMusic and globalization. | |
| 650 | 0 | _aDissemination of music. | |
| 650 | 0 |
_aMusic _xSocial aspects. |
|
| 655 | 7 |
_aElectronic books. _2local |
|
| 776 | 1 | 8 |
_iOnline version: _tMusic on the move _dAnn Arbor : University of Michigan Press, 2020. _z9780472126781 _w(DLC) 2020011848 |
| 710 | 2 |
_aProject Muse. _edistributor |
|
| 830 | 0 | _aBook collections on Project MUSE. | |
| 856 | 4 | 0 |
_zFull text available: _uhttps://muse.jhu.edu/book/76592/ |
| 999 |
_c26827 _d26827 |
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