000			02155cam a22004814a 4500
001			muse76696
003			MdBmJHUP
005			20210127151737.0
006			m o d
007			cr||||||||nn|n
008			170215s2017 ne o 00 0 eng d
010			_z 2017453193
020			_a9789048526741
020			_a9048526744
020			_z9089648267
020			_z9789089648266
035			_a(OCoLC)1163587749
040			_aMdBmJHUP _cMdBmJHUP
043			_ae-ne---
050	0	4	_aPN1993.43.A45 _bL36 2017
100	1		_aLameris, Bregt, _eauthor.
245	1	0	_aFilm Museum Practice and Film Historiography _cBregt Lameris.
264		1	_bAmsterdam University Press,
264		3	_bProject MUSE,
300			_a1 online resource (270 pages) : _billustrations ;
490	0		_aFraming film
504			_aIncludes bibliographical references (pages 245-260) and index.
506	0		_aOpen Access _fUnrestricted online access _2star
520			_aRich in detail, this is a study of the interrelationships between film historical discourse and archival practices. Exploring the history of several important collections from the EYE Film Museum in Amsterdam, Bregt Lameris shows how archival films and collections always carry the historical traces of selection policies, restoration philosophies, and exhibition strategies. The result is a compelling argument that film archives can never be viewed simply as innocent or neutral sources of film history.
588			_aDescription based on print version record.
610	2	0	_aEYE Film Instituut Nederland _xHistory.
610	2	0	_aNederlands Filmmuseum _xHistory.
650		0	_aMotion pictures _xHistoriography.
650		0	_aFilm archives _zNetherlands _zAmsterdam _xHistory _y20th century.
655		7	_aElectronic books. _2local
710	2		_aProject Muse. _edistributor
830		0	_aBook collections on Project MUSE.
856	4	0	_zFull text available: _uhttps://muse.jhu.edu/book/66504/
999			_c26872 _d26872