000 02545cam a22004934a 4500
001 muse86659
003 MdBmJHUP
005 20210127151742.0
006 m o d
007 cr||||||||nn|n
008 200707s2020 be o 00 0 eng d
020 _a9789461663177
020 _z9789461663184
020 _z9789462702189
035 _a(OCoLC)1175941252
040 _aMdBmJHUP
_cMdBmJHUP
050 4 _aGN33.6
_b.A273 2020
082 0 _a174.9309
_223
245 0 0 _aAcross Anthropology
_bTroubling Colonial Legacies, Museums, and the Curatorial /
_cedited by Margareta von Oswald and Jonas Tinius.
264 1 _bProject Muse,
264 3 _bProject MUSE,
300 _a1 online resource (1 EPUB unpaged) :
_billustrations
500 _aIssued as part of book collections on Project MUSE.
504 _aIncludes bibliographical references.
506 0 _aOpen Access
_fUnrestricted online access
_2star
520 _aDetroit, Michigan, has long been recognized as a center of musical innovation and social change. Rebekah Farrugia and Kellie D. Hay draw on seven years of fieldwork to illuminate the important role that women have played in mobilizing a grassroots response to political and social pressures at the heart of Detroit's ongoing renewal and development project. Focusing on the Foundation, a women-centered hip hop collective, Women Rapping Revolution argues that the hip hop underground is a crucial site where Black women shape subjectivity and claim self-care as a principle of community organizing. Through interviews and sustained critical engagement with artists and activists, this study also articulates the substantial role of cultural production in social, racial, and economic justice efforts.
588 _aDescription based on print version record.
650 0 _aPostcolonialism.
650 0 _aAnthropological museums and collections.
650 0 _aAnthropological ethics.
655 0 _aElectronic books.
655 7 _aElectronic books.
_2local
700 1 _aTinius, Jonas,
_eeditor.
700 1 _aOswald, Margareta von,
_eeditor.
710 2 _aProject Muse,
_edistributor.
776 1 8 _iPrint version:
_z9789462702189
710 2 _aProject Muse.
_edistributor
830 0 _aBook collections on Project MUSE.
856 4 0 _zFull text available:
_uhttps://muse.jhu.edu/book/76593/
999 _c26903
_d26903