000			03512cam a22006014a 4500
001			muse76594
003			MdBmJHUP
005			20210127151839.0
006			m o d
007			cr||||||||nn|n
008			181112t20182018ne o 00 0 eng d
010			_z 2018467352
020			_a9789048537808
020			_a9048537800
020			_z9789462986527
020			_z9462986525
035			_a(OCoLC)1062395917
040			_aMdBmJHUP _cMdBmJHUP
043			_an-us---
050		4	_aPN1995.9.S3
082	0		_a791.43 _223
100	1		_aBrasch, Ilka, _eauthor.
245	1	0	_aFilm Serials and the American Cinema, 1910-1940 _bOperational Detection / _cIlka Brasch.
300			_a1 online resource (1 online resource 321 pages) : _billustrations
490	0		_aFilm culture in transition
504			_aIncludes bibliographical references and indexes.
505	0		_aCover; Table of Contents; Acknowledgements; 1. Introduction; 2. The Operational Aesthetic; 3. Film Serials Between 1910 and 1940; 4. Detectives, Traces, and Repetition in The Exploits of Elaine; 5. Repetition, Reiteration, and Reenactment: Operational Detection; 6. Sound Serials: Media Contingency in the 1930s; 7. Conclusion: Telefilm, Cross-Media Migration, and the Demise of the Film Serial; Index of Names; Index of Film Titles; Index of Subjects
506	0		_aOpen Access _fUnrestricted online access _2star
520	8		_aBefore the advent of television, cinema offered serialised films as a source of weekly entertainment. This book traces the history from the days of silent screen heroines to the sound era's daring adventure serials, unearthing a thriving film culture beyond the self-contained feature. Through extensive archival research, Ilka Brasch details the aesthetic appeals of film serials within their context of marketing and exhibition and that they adapt the pleasures of a flourishing crime fiction culture to both serialised visual culture and the affordances of the media-modernity of the early 20th century. The study furthermore traces how film serials brought the broadcast model of radio and television to the big screen and thereby introduced models of serial storytelling that informed popular culture even beyond the serial's demise.
588			_aDescription based on print version record.
650		0	_aFilm serials. _2fast _0(OCoLC)fst01715956
650		0	_aART _xFilm & Video. _2bisacsh
650		0	_aPERFORMING ARTS _xFilm _xHistory & Criticism. _2bisacsh
650		0	_aTheatre studies. _2bicssc
650		0	_aFilm theory & criticism. _2bicssc
650		0	_aElectronic, holographic & video art. _2bicssc
650		0	_aFilm serials _xHistory.
655		0	_aHistory. _2fast _0(OCoLC)fst01411628
655		0	_aElectronic books.
655		0	_aElectronic books.
655		7	_aElectronic books. _2local
773	0		_tOAPEN (Open Access Publishing in European Networks). _dOAPEN
773	0		_tDe Gruyter Open Books. _dDe Gruyter
773	0		_tBooks at JSTOR: Open Access. _dJSTOR
776	1	8	_iPrint version: _tFilm serials and the American cinema, 1910-1940. _dAmsterdam : Amsterdam University Press, [2018] _z9462986525 _w(OCoLC)1045157835
710	2		_aProject Muse. _edistributor
830		0	_aFilm culture in transition.
830		0	_aBook collections on Project MUSE.
856	4	0	_zFull text available: _uhttps://muse.jhu.edu/book/66391/
999			_c27237 _d27237