000			04747nam a2200481 i 4500
001			xb23803939
006			m d
007			cr n
008			150814t20152015enka sb 001 0 eng d
020			_a9781783741540 _q(pdf)
020			_a9781783741557 _q(epub)
020			_a9781783741564 _q(mobi)
020			_z9781783741526 (Paperback)
020			_z9781783741533 (Hardback)
035			_a(OCoLC)919588413
040			_aStSaUL _beng _erda
043			_aae-----
100	1		_aFabian, Dorottya, _eauthor.
245	1	2	_aA musicology of performance _h[electronic resource] : _btheory and method based on Bach's solos for violin / _cDorottya Fabian.
264		1	_bOpen Book Publishers,
300			_a1 online resource (xxii, 342 pages) : _bcolour illustrations.
500			_aAvailable through Open Book Publishers.
504			_aIncludes bibliographical references in endnotes (pages 313-332) and index.
504			_aIncludes discography (pages 307-312.
505	0		_a1. Dancing to Architecture?. 1.1. The Problems of Researching and Writing about Music Performance -- 1.2. Summary: Recordings, Aims and Method -- 2. Theoretical Matters. 2.1. Cultural Theories -- 2.2. Analytical Theories -- 2.3. Music Performance and Complex Systems -- 2.4. Performance Studies, Oral Culture and Academia -- 2.5. Conclusion -- 3. Violinists, Violin Schools and Emerging Trends -- 3.1. Violinists -- 3.2. Violin Schools -- 3.3. The Influence of HIP on MSP -- 3.4. Diversity within Trends and Global Styles -- 3.5. Overall Findings and Individual Cases -- 3.6. Conclusion -- 4. Analyses of Performance Features. 4.1. Tempo Choices -- 4.2. Vibrato -- 4.3. Ornamentation -- 4.4. Rhythm -- 4.5. Bowing, Articulation and Phrasing -- 4.6. Conclusions -- 5. Affect and Individual Difference: Towards a Holistic Account of Performance. 5.1. Differences within the MSP and within the HIP Styles -- 5.2. Multiple Recordings of Violinists -- 5.3. The Holistic Analysis of Interpretations -- 5.4. Idiosyncratic Versions and Listeners' Reactions -- 5.5. Conclusions -- 6. Conclusions and an Epilogue: The Complexity Model of Music Performance, Deleuze and Brain Laterality. 6.1. Summary -- 6.2. Where to from Here?-Epilogue -- List of Audio Examples -- List of Tables -- List of Figures -- Discography -- References -- Index.
506			_aOpen access resource providing free access.
520			_a"This book examines the nature of musical performance. In it, Dorottya Fabian explores the contributions and limitations of some of these approaches to performance, be they theoretical, cultural, historical, perceptual, or analytical. Through a detailed investigation of recent recordings of J. S. Bach's Six Sonatas and Partitas for Solo Violin, she demonstrates that music performance functions as a complex dynamical system. Only by crossing disciplinary boundaries, therefore, can we put the aural experience into words. A Musicology of Performance provides a model for such a method by adopting Deleuzian concepts and various empirical and interdisciplinary procedures. Fabian provides a case study in the repertoire, while presenting new insights into the state of baroque performance practice at the turn of the twenty-first century. Through its wealth of audio examples, tables, and graphs, the book offers both a sensory and a scholarly account of musical performance. These interactive elements map the connections between historically informed and mainstream performance styles, considering them in relation to broader cultural trends, violin schools, and individual artistic trajectories. A Musicology of Performance is a must read for academics and post-graduate students and an essential reference point for the study of music performance, the early music movement, and Bach's opus."--Publisher's website.
538			_aMode of access: World Wide Web.
540			_aThis work is licensed under a Creative Commons Attribution 4.0 International license (CC BY 4.0). For more detailed information consult the publisher's website.
600	1	0	_aBach, Johann Sebastian, _d1685-1750 _xCriticism and interpretation.
650		0	_aMusic _xPerformance _xPhilosophy and aesthetics.
650		0	_aMusic _xPerformance.
650		0	_aPerformance practice (Music)
650		0	_aSonatas (Violin) _y18th century.
650		0	_aViolin _xPerformance.
710	2		_aOpen Book Publishers, _epublisher.
856	4	0	_uhttp://doi.org/10.11647/OBP.0064 _zConnect to e-book
856	4	2	_uhttp://www.openbookpublishers.com/shopimages/products/cover/346 _zConnect to cover image
999			_c29188 _d29188