000			03346nam a2200469Ii 4500
001			9781787437739
003			UtOrBLW
005			20210303084935.0
006			m o d
007			cr un|||||||||
008			180416s2018 enk ob 001 0 eng d
020			_a9781787437739 (e-book)
040			_aUtOrBLW _beng _erda _cUtOrBLW
050			_aHD2340.8-2346.5
050		4	_aHD9999.C9472 _bF76 2018
072		7	_aKN _2bicssc
072		7	_aBUS000000 _2bisacsh
080			_a67
082	0	4	_a338.477 _223
245	0	0	_aFrontiers of creative industries : _bexploring structural and categorical dynamics / _cedited by Candace Jones, Massimo Maoret.
264		1	_bEmerald Publishing Limited,
300			_a1 online resource (xi, 290 pages).
490	1		_aResearch in the sociology of organizations, _x0733-558X ; _vv. 55
500			_aIncludes index.
504			_aIncludes bibliographical references.
520			_aCreative industries are a growing and globally important area for both economic vitality and cultural expression of industrialized nations. The growth and dynamism of creative industries depends on continuous innovation that must manage inherent tensions such as novelty to attract consumers and sustain artistic expression and familiarity to aid comprehension and stabilize demand for cultural products. In this volume, the macro-structural conditions that shape creative industries - their institutional, categorical and structural dynamics - are examined to provide an overview of new trends and emerging issues in scholarship on this topic. Creative industries offer products and services that range from the prosaic to the sublime and provide meaning to our lives, and this volume features a wide range of examples, from advertising, to architecture, art markets, Champagne wine, fashion and music. Contributors examine topics such as the micro-interactions of brokerage relations; how actors transform a brokerage role from control to co-production to enact creative leadership; how investors provide legitimacy to the new categories such as abstract art; how technological disintermediation creates alternative category processes such as authenticity; how social relations shape social evaluation; how prototypical producers can trespass categories and avert negative evaluation; how personal styles enable social evaluation; and how the ambiguity of a category, such as Swing music, facilitated its adaptability and longevity. The volume concludes with an Afterword examining research on creative industries as a form of cultural product and a category in itself.
588	0		_aPrint version record
650		0	_aCultural industries.
650		0	_aCultural industries _xSociological aspects.
650		0	_aCultural industries _xEconomic aspects.
650		7	_aBusiness & Economics _xGeneral. _2bisacsh
650		7	_aIndustry & industrial studies. _2bicssc
700	1		_aJones, Candace, _eeditor.
700	1		_aMaoret, Massimo, _eeditor.
776			_z9781787437746
830		0	_aResearch in the sociology of organizations ; _vv. 55. _x0733-558X
856	4	0	_uhttps://www.emerald.com/insight/publication/doi/10.1108/S0733-558X201855
999			_c30158 _d30158