| 000 | 02959nam a22003977a 4500 | ||
|---|---|---|---|
| 001 | 103411 | ||
| 003 | KnowledgeUnlatched | ||
| 005 | 20210303104642.0 | ||
| 006 | m o d | ||
| 007 | cr u|||||||||| | ||
| 008 | 210129p20142017xxk o u00| u eng d | ||
| 035 | _a(OCoLC)879202940 | ||
| 037 | _5BiblioBoard | ||
| 245 | 0 | 0 |
_aChina's iGeneration _bCinema and Moving Image Culture for the Twenty-First Century / _cMatthew D. Johnson, Keith B. Wagner, Tianqi Yu, Luke Vulpiani. |
| 020 | _a9781623563127 | ||
| 029 | 1 | _ahttps://library.biblioboard.com/ext/api/media/e0fa7b1b-cf84-4011-8261-8675a84f8688/assets/thumbnail.jpg | |
| 040 |
_aScCtBLL _cScCtBLL |
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| 506 | 0 |
_aAccess copy available to the general public. _fUnrestricted _2star |
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| 700 | 1 |
_aJohnson, Matthew D. _eeditor. |
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| 700 | 1 |
_aWagner, Keith B. _eeditor. |
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| 700 | 1 |
_aYu, Tianqi _eeditor. |
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| 700 | 1 |
_aVulpiani, Luke _eeditor. |
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| 264 | 1 | _bBloomsbury Academic, | |
| 300 | _a1 online resource (365 p.) | ||
| 520 | _aCollection of essays on twenty-first century Chinese cinema and moving image culture. This innovative collection of essays on twenty-first century Chinese cinema and moving image culture features contributions from an international community of scholars, critics, and practitioners. Taken together, their perspectives make a compelling case that the past decade has witnessed a radical transformation of conventional notions of cinema. Following China's accession to the WTO in 2001, personal and collective experiences of changing social conditions have added new dimensions to the increasingly diverse Sinophone media landscape, and provided a novel complement to the existing edifice of blockbusters, documentaries, and auteur culture. The numerous 'iGeneration' productions and practices examined in this volume include 3D and IMAX films, experimental documentaries, animation, visual aides-memoires, and works of pirated pastiche. Together, they bear witness to the emergence of a new Chinese cinema characterized by digital and, trans-media representational strategies, the blurring of private/public distinctions, and dynamic reinterpretations of the very notion of 'cinema' itself.This title was made Open Access by libraries from around the world through Knowledge Unlatched. | ||
| 588 | 0 | _aDescription based on print version record. | |
| 590 | _aKnowledge Unlatched Pilot Collection | ||
| 650 | 7 |
_aSocial Science / Media Studies _2bisacsh |
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| 650 | 0 | _aSocial sciences | |
| 655 | 0 | _aElectronic books. | |
| 758 |
_iIs found in: _aKnowledge Unlatched Pilot Collection _1https://openresearchlibrary.org/module/fa539944-a29d-4c2e-a0bf-418e04e5d02c |
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_uhttps://openresearchlibrary.org/content/e0fa7b1b-cf84-4011-8261-8675a84f8688 _zView this content on Open Research Library. _70 |
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