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037 _5BiblioBoard
245 0 0 _aArgentine Cinema and National Identity
_b1966-1976 /
_cCarolina Rocha.
_nVolume 16
020 _a9781786948267
024 8 _ahttps://doi.org/10.2307/j.ctt1ps32cc
029 1 _ahttps://library.biblioboard.com/ext/api/media/1e29e6a8-9f68-481b-91d2-191b69b8f368/assets/thumbnail.jpg
040 _aScCtBLL
_cScCtBLL
100 1 _aRocha, Carolina
_eauthor.
264 1 _bLiverpool University Press,
300 _a1 online resource (1 p.)
490 1 _aLiverpool Latin American Studies
506 0 _aAccess copy available to the general public.
_fUnrestricted
_2star
520 _aArgentine Cinema and National Identity covers the development of Argentine cinema since the late 1950s to the mid-1970s, a period that has been understudied. This essential cultural history delves on the dialect tradition versus modernity that was in place during those years and also comprises an examination of the political economy of film production as well as the different laws, including that implementing censorship that regulated this cultural industry. It also pays particular attention to two historical film genres: the historical film genre per se and the gauchesque, a genre based on outlaw gauchos that was crucial for nation-building in the nineteenth century. This volume investigates the way Argentine cinema positioned itself when facing the competition of glossy American films and resorted to the historical and gauchesque to bridge the stark divisions between the Argentine left and right in the late 1960s.
588 0 _aDescription based on print version record.
590 _aKU Select 2020: HSS Backlist Books
650 7 _aTechnology & Engineering / Agriculture
_2bisacsh
650 7 _aArt / Film & Video
_2bisacsh
650 0 _aArts
655 0 _aElectronic books.
758 _iIs found in:
_aKnowledge Unlatched
_1https://openresearchlibrary.org/module/2774bc74-146a-484f-a7ba-ab1d6a09bbfb
830 0 _aLiverpool Latin American Studies
856 4 0 _uhttps://openresearchlibrary.org/content/1e29e6a8-9f68-481b-91d2-191b69b8f368
_zView this content on Open Research Library.
_70
999 _c32368
_d32368