| 000 | 02044nam a22003377a 4500 | ||
|---|---|---|---|
| 003 | KnowledgeUnlatched | ||
| 005 | 20210303104731.0 | ||
| 006 | m o d | ||
| 007 | cr u|||||||||| | ||
| 008 | 210129p20172020xx o u00| u eng d | ||
| 037 | _5BiblioBoard | ||
| 245 | 0 | 0 |
_aBetween Air and Electricity _bMicrophones and Loudspeakers as Musical Instruments / _cCathy can Eck. |
| 020 | _a9781501327605 | ||
| 029 | 1 | _ahttps://library.biblioboard.com/ext/api/media/77f2f7a2-3f17-419b-b4df-eb460da9f292/assets/thumbnail.jpg | |
| 040 |
_aScCtBLL _cScCtBLL |
||
| 100 | 1 |
_acan Eck, Cathy _eauthor. |
|
| 264 | 1 | _bBloomsbury Academic, | |
| 300 | _a1 online resource (1 p.) | ||
| 506 | 0 |
_aAccess copy available to the general public. _fUnrestricted _2star |
|
| 520 | _aAfter the sound reproduction industry had claimed "perfect high fidelity" for sound recordings already at the beginning of the twentieth century, composers and sound artists challenged this perfection by tweaking microphones and loudspeakers to make them act as a musical instrument instead of a mere sound reproduction device. This book explores the instrumental use of microphones and loudspeakers in music beginning in the 1950s. The popular noise musician Merzbow, over-minimalist classic Alvin Lucier, cult instrument inventor Hugh Davies, and contemporary visual artist Lynn Pook made audible what was supposed to remain silent. | ||
| 588 | 0 | _aDescription based on print version record. | |
| 590 | _aKU Select 2019: HSS Backlist Books | ||
| 650 | 7 |
_aMusic / Instruction & Study / Composition _2bisacsh |
|
| 650 | 0 | _aMusic | |
| 655 | 0 | _aElectronic books. | |
| 758 |
_iIs found in: _aKnowledge Unlatched _1https://openresearchlibrary.org/module/2774bc74-146a-484f-a7ba-ab1d6a09bbfb |
||
| 856 | 4 | 0 |
_uhttps://openresearchlibrary.org/content/77f2f7a2-3f17-419b-b4df-eb460da9f292 _zView this content on Open Research Library. _70 |
| 999 |
_c32443 _d32443 |
||