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037 _5BiblioBoard
245 0 0 _aMozart's Tempo-System
_bA Handbook for Practice and Theory /
_cHelmut Breidenstein.
020 _a9783828872035
024 8 _ahttps://doi.org/10.5771/9783828872035-256
029 1 _ahttps://library.biblioboard.com/ext/api/media/f4e364c1-49b2-4384-8cf9-ff47769efa78/assets/thumbnail.jpg
040 _aScCtBLL
_cScCtBLL
100 1 _aBreidenstein, Helmut
_eauthor.
264 1 _bTectum Wissenschaftsverlag,
300 _a1 online resource (1 p.)
506 0 _aAccess copy available to the general public.
_fUnrestricted
_2star
520 _aA reference book for the musician's practical work of interpretation, this volume, after a general presentation of 18th century principles for determining a tempo, offers a compendium of all Mozart's autograph tempo markings in 420 lists of pieces of similar character. Thus, a comparison of slower and quicker movements is made possible by 434 music examples, and there follows a wide-ranging collection of relevant texts taken from historical sources. The book does not claim to know "the single correct tempo" for the works of Wolfgang Amadeus Mozart. It hopes to be of assistance in the unavoidable search by every interpreter for the "true mouvement" of each work-for the work itself, for the performer, the instrument or instruments, the room, the public, the nature of the event. It follows that there can be no absolutely "authentic" tempo for Mozart's works. And yet his tempo markings, since he chose them so meticulously, should be taken equally seriously with the other parameters of his famously precise notation.
588 0 _aDescription based on print version record.
590 _aKU Select 2019: HSS Backlist Books
650 7 _aMusic / Reference
_2bisacsh
650 0 _aMusic
655 0 _aElectronic books.
758 _iIs found in:
_aKnowledge Unlatched
_1https://openresearchlibrary.org/module/2774bc74-146a-484f-a7ba-ab1d6a09bbfb
856 4 0 _uhttps://openresearchlibrary.org/content/f4e364c1-49b2-4384-8cf9-ff47769efa78
_zView this content on Open Research Library.
_70
999 _c32653
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