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008			210129p20192020xx o u00| u eng d
037			_5BiblioBoard
245	0	0	_aScreening Race in American Nontheatrical Film _cMarsha Gordon, Allyson Nadia Field.
020			_a9781478005605
024	8		_ahttps://doi.org/10.1215/9781478005605
029	1		_ahttps://library.biblioboard.com/ext/api/media/a294ae61-f999-4223-abfd-e4241443fd14/assets/thumbnail.jpg
040			_aScCtBLL _cScCtBLL
506	0		_aAccess copy available to the general public. _fUnrestricted _2star
700	1		_aGordon, Marsha _eeditor.
700	1		_aField, Allyson Nadia _eeditor.
264		1	_bDuke University Press,
300			_a1 online resource (1 p.)
520			_aAlthough overlooked by most narratives of American cinema history, films made for purposes outside of theatrical entertainment dominated twentieth-century motion picture production. This volume adds to the growing study of nontheatrical films by focusing on the way filmmakers developed and audiences encountered ideas about race, identity, politics, and community outside the borders of theatrical cinema. The contributors to Screening Race in American Nontheatrical Film examine the place and role of race in educational films, home movies, industry and government films, anthropological films, and church films, as well as other forms of nontheatrical filmmaking.
588	0		_aDescription based on print version record.
590			_aKU Select 2019: HSS Frontlist Books
650		7	_aPerforming Arts / Film / History & Criticism _2bisacsh
650		0	_aPerforming arts
655		0	_aElectronic books.
758			_iIs found in: _aKnowledge Unlatched _1https://openresearchlibrary.org/module/2774bc74-146a-484f-a7ba-ab1d6a09bbfb
856	4	0	_uhttps://openresearchlibrary.org/content/a294ae61-f999-4223-abfd-e4241443fd14 _zView this content on Open Research Library. _70
999			_c32840 _d32840