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001			103928
003			KnowledgeUnlatched
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007			cr u||||||||||
008			210129p20102020xx o u00| u eng d
037			_5BiblioBoard
245	0	0	_aCrash _bCinema and the Politics of Speed and Stasis / _cKaren Beckman.
020			_a9780822392767
024	8		_ahttps://doi.org/10.1215/9780822392767
029	1		_ahttps://library.biblioboard.com/ext/api/media/14bd55eb-899f-4205-b3a7-8e0d0c0ecf48/assets/thumbnail.jpg
040			_aScCtBLL _cScCtBLL
100	1		_aBeckman, Karen _eauthor.
264		1	_bDuke University Press,
300			_a1 online resource (1 p.)
506	0		_aAccess copy available to the general public. _fUnrestricted _2star
520			_aArtists, writers, and filmmakers from Andy Warhol and J. G. Ballard to Alejandro González Iñárritu and Ousmane Sembène have repeatedly used representations of immobilized and crashed cars to wrestle with the conundrums of modernity. In Crash, Karen Beckman argues that representations of the crash parallel the encounter of film with other media, and that these collisions between media offer useful ways to think about alterity, politics, and desire. Examining the significance of automobile collisions in film genres including the "cinema of attractions," slapstick comedies, and industrial-safety movies, Beckman reveals how the car crash gives visual form to fantasies and anxieties regarding speed and stasis, risk and safety, immunity and contamination, and impermeability and penetration.
588	0		_aDescription based on print version record.
590			_aKU Select 2019: HSS Backlist Books
650		7	_aPerforming Arts / Film / History & Criticism _2bisacsh
650		0	_aPerforming arts
655		0	_aElectronic books.
758			_iIs found in: _aKnowledge Unlatched _1https://openresearchlibrary.org/module/2774bc74-146a-484f-a7ba-ab1d6a09bbfb
856	4	0	_uhttps://openresearchlibrary.org/content/14bd55eb-899f-4205-b3a7-8e0d0c0ecf48 _zView this content on Open Research Library. _70
999			_c32848 _d32848