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037 _5BiblioBoard
245 0 0 _aSounds of the Underground
_bA Cultural, Political and Aesthetic Mapping of Underground and Fringe Music /
_cStephen Graham.
020 _a9780472902378
024 8 _ahttps://doi.org/10.3998/mpub.8295270
029 1 _ahttps://library.biblioboard.com/ext/api/media/adbe6aaa-ac58-48bb-9f15-1472cee8e5ae/assets/thumbnail.jpg
040 _aScCtBLL
_cScCtBLL
100 1 _aGraham, Stephen
_eauthor.
264 1 _bUniversity of Michigan Press,
300 _a1 online resource.
506 0 _aAccess copy available to the general public.
_fUnrestricted
_2star
520 _aIn basements, dingy backrooms, warehouses, and other neglected places around the world music is being made that doesn't fit neatly into popular or classical categories and genres, whose often extreme sounds and tiny concerts hover on the fringes of these commercial and cultural mainstreams. The term "underground music" as it's being used here connects various forms of music-making that exist outside or on the fringes of mainstream institutions and culture, such as noise, free improvisation, and extreme metal. This is music that makes little money, that's noisy and exploratory in sound and that's largely independent from both the market and from traditional high art institutions. In this book, by outlining the historical background but focusing on the digital age, the underground and its fringes can be seen as based in radical anti-capitalist politics or radical aesthetics while also being tied to the political contexts and structures of late capitalism.
588 0 _aDescription based on print version record.
590 _aKU Select 2019: HSS Backlist Books
650 7 _aMusic / Ethnomusicology
_2bisacsh
650 0 _aMusic
655 0 _aElectronic books.
758 _iIs found in:
_aKnowledge Unlatched
_1https://openresearchlibrary.org/module/2774bc74-146a-484f-a7ba-ab1d6a09bbfb
856 4 0 _uhttps://openresearchlibrary.org/content/adbe6aaa-ac58-48bb-9f15-1472cee8e5ae
_zView this content on Open Research Library.
_70
999 _c32901
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