000 02975nam a22003617a 4500
001 103710
003 KnowledgeUnlatched
005 20210303104923.0
006 m o d
007 cr u||||||||||
008 210129p20182020xx o u00| u eng d
037 _5BiblioBoard
245 0 0 _aSeeing Renaissance Glass
_bArt Optics and Glass of Early Modern Italy 1250-1425 /
_cSarah Dillon.
020 _a9781433148354
024 8 _ahttps://doi.org/10.3726/b14280
029 1 _ahttps://library.biblioboard.com/ext/api/media/e5fadb09-707f-4d04-aebe-2fd86da36939/assets/thumbnail.jpg
040 _aScCtBLL
_cScCtBLL
100 1 _aDillon, Sarah
_eauthor.
264 1 _bPeter Lang,
300 _a1 online resource (1 p.)
506 0 _aAccess copy available to the general public.
_fUnrestricted
_2star
520 _aWith the invention of eyeglasses around 1280 near Pisa, the mundane medium of glass transformed early modern optical technology and visuality. It also significantly influenced contemporaneous art, religion, and science. References to glass are found throughout the Bible and in medieval hagiography and poetry. For instance, glass is mentioned in descriptions of Heavenly Jerusalem, the Beatific Vision, and the Incarnation. At the same time, a well-known Islamic scientific treatise, which likened a portion of the eye's anatomy to glass, entered the scientific circles of the Latin West. Amidst this complex web of glass-related phenomena early modern Italian artists used glass in some of their most important artworks but, until now, no study has offered a comprehensive consideration of the important role glass played in shaping the art of the Italian Renaissance. Seeing Renaissance Glass explores how artists such as Giotto, Duccio, Nicola Pisano, Simone Martini, and others employed the medium of glass-whether it be depictions of glass or actual glass in the form of stained glass, gilded glass, and transparent glass-to resonate with the period's complex visuality and achieve their artistic goals. Such an interdisciplinary approach to the visual culture of early modern Italy is particularly well-suited to an introductory humanities course as well as classes on media studies and late medieval and early Renaissance art history. It is also ideal for a general reader interested in art history or issues of materiality.
588 0 _aDescription based on print version record.
590 _aKU Select 2019: HSS Backlist Books
650 7 _aArt / Color Theory
_2bisacsh
650 0 _aArts
655 0 _aElectronic books.
758 _iIs found in:
_aKnowledge Unlatched
_1https://openresearchlibrary.org/module/2774bc74-146a-484f-a7ba-ab1d6a09bbfb
856 4 0 _uhttps://openresearchlibrary.org/content/e5fadb09-707f-4d04-aebe-2fd86da36939
_zView this content on Open Research Library.
_70
999 _c32961
_d32961