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037 _5BiblioBoard
245 0 0 _aAll the Same The Words Don't Go Away
_bEssays on Authors, Heroes, Aesthetics, and Stage Adaptations from the Russian Tradition /
_cCaryl Emerson.
020 _a9781618118479
029 1 _ahttps://library.biblioboard.com/ext/api/media/a2d2272b-871b-4070-86e9-ba74ecae713a/assets/thumbnail.jpg
040 _aScCtBLL
_cScCtBLL
100 1 _aEmerson, Caryl
_eauthor.
264 1 _bAcademic Studies Press,
300 _a1 online resource (1 p.)
506 0 _aAccess copy available to the general public.
_fUnrestricted
_2star
520 _aTwenty-five years of essays and reviews, linked loosely by three themes. First is the creative potential inherent in transposing classic literary texts into other genres of media (operatic, dramatic) and the responsibilities, if any, that govern the transposer, audience, and critic. The practice of transposition, however, gives rise to a creative conflict: is there a limit to the amount of ornamentation, pressure, or dilution to which the "mediated" word can be subject? Finally, the more polemical of the essays included here are structured on the Bakhtinian notion of co-existing "plausibilities" and points of view. What a carnival approach can uncover in Pushkin that might have surprised and even pleased the poet, what a libretto or play script brings out that the "true original" hides: here the work of the creator and the critic can overlap in thrilling ways that respect the competencies of each. The book includes an original preface written by David Bethea.
588 0 _aDescription based on print version record.
590 _aKU Open Services
650 7 _aLiterary Criticism / Russian & Former Soviet Union
_2bisacsh
650 0 _aLiterature
_xHistory and criticism
655 0 _aElectronic books.
758 _iIs found in:
_aKnowledge Unlatched
_1https://openresearchlibrary.org/module/2774bc74-146a-484f-a7ba-ab1d6a09bbfb
856 4 0 _uhttps://openresearchlibrary.org/content/a2d2272b-871b-4070-86e9-ba74ecae713a
_zView this content on Open Research Library.
_70
999 _c33181
_d33181