000			02071nam a22003497a 4500
001			102881
003			KnowledgeUnlatched
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006			m o d
007			cr u||||||||||
008			210129p20192019mau o u00| u eng d
037			_5BiblioBoard
245	0	0	_aFilm as Embodied Art _bBodily Meaning in the Cinema of Stanley Kubrick / _cMaarten Coëgnarts.
020			_a9781644691137
029	1		_ahttps://library.biblioboard.com/ext/api/media/33deb64a-21d0-40b4-ac5a-ca0ecaab6d16/assets/thumbnail.jpg
040			_aScCtBLL _cScCtBLL
100	1		_aCoëgnarts, Maarten _eauthor.
264		1	_bAcademic Studies Press,
300			_a1 online resource (1 p.)
506	0		_aAccess copy available to the general public. _fUnrestricted _2star
520			_aHow do the visuals of Kubrick's work convey complex concepts and abstractions without the traditional reliance on words? And how does the pure instrumental music in his films express meaning when music, in essence, is an abstract art form? Drawing on state-of-the-art research in embodied cognitive science, this book sets out to explore these questions by revealing Kubrick as a genuine conceptual artist, a filmmaker who perhaps more than any other director, uses all the non-verbal resources of filmmaking in such a controlled and dense manner as to elicit the bodily structures necessary to achieve a level of conceptual understanding.
588	0		_aDescription based on print version record.
590			_aKU Select 2018: HSS Frontlist Books
650		7	_aSocial Science / Media Studies _2bisacsh
650		0	_aSocial sciences
655		0	_aElectronic books.
758			_iIs found in: _aKnowledge Unlatched _1https://openresearchlibrary.org/module/2774bc74-146a-484f-a7ba-ab1d6a09bbfb
856	4	0	_uhttps://openresearchlibrary.org/content/33deb64a-21d0-40b4-ac5a-ca0ecaab6d16 _zView this content on Open Research Library. _70
999			_c33255 _d33255