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| 001 | 102231 | ||
| 003 | KnowledgeUnlatched | ||
| 005 | 20210303105030.0 | ||
| 006 | m o d | ||
| 007 | cr u|||||||||| | ||
| 008 | 210129p20142019mau o u00| u eng d | ||
| 037 | _5BiblioBoard | ||
| 245 | 0 | 0 |
_aDionysos in Classical Athens _bAn Understanding through Images / _cCornelia Isler-Kerényi. |
| 020 | _a9789004270121 | ||
| 029 | 1 | _ahttps://library.biblioboard.com/ext/api/media/94ead084-0c00-402d-949a-883f7b995fbc/assets/thumbnail.jpg | |
| 040 |
_aScCtBLL _cScCtBLL |
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| 100 | 1 |
_aIsler-Kerényi, Cornelia _eauthor. |
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| 264 | 1 | _bBrill, | |
| 300 | _a1 online resource (1 p.) | ||
| 506 | 0 |
_aAccess copy available to the general public. _fUnrestricted _2star |
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| 520 | _a"Dionysos, with his following of satyrs and women, was a major theme in a big part of the figure painted pottery in 500-300 B.C. Athens. As an original testimonial of their time, the imagery on these vases convey what this god meant to his worshippers. It becomes clear that he was not only appropriate for wine, wine indulgence, ecstasy and theatre. Rather, he was present on many, both happy and sad, occasions. The vase painters have emphasized different aspects of Dionysos for their customers inside and outside of Athens, depending on the political and cultural situation." | ||
| 588 | 0 | _aDescription based on print version record. | |
| 590 | _aKU Select 2018: HSS Backlist Books | ||
| 650 | 7 |
_aLiterary Criticism / Ancient & Classical _2bisacsh |
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| 650 | 0 |
_aLiterature _xHistory and criticism |
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| 655 | 0 | _aElectronic books. | |
| 758 |
_iIs found in: _aKnowledge Unlatched _1https://openresearchlibrary.org/module/2774bc74-146a-484f-a7ba-ab1d6a09bbfb |
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| 856 | 4 | 0 |
_uhttps://openresearchlibrary.org/content/94ead084-0c00-402d-949a-883f7b995fbc _zView this content on Open Research Library. _70 |
| 999 |
_c33324 _d33324 |
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