| 000 | 02105nam a22003737a 4500 | ||
|---|---|---|---|
| 001 | 103514 | ||
| 003 | KnowledgeUnlatched | ||
| 005 | 20210303105124.0 | ||
| 006 | m o d | ||
| 007 | cr u|||||||||| | ||
| 008 | 210129p20182019xx o u00| u eng d | ||
| 037 | _5BiblioBoard | ||
| 245 | 0 | 0 |
_aSimone Verovio _bMusic printing, intabulations and basso continuo in Rome around 1600 / _cMarkus Grassl, Augusta Campagne, Reinhard Kapp. |
| 020 | _a9783205207184 | ||
| 029 | 1 | _ahttps://library.biblioboard.com/ext/api/media/3f67c853-953a-4aa5-bdc7-4534ab144228/assets/thumbnail.jpg | |
| 040 |
_aScCtBLL _cScCtBLL |
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| 506 | 0 |
_aAccess copy available to the general public. _fUnrestricted _2star |
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| 700 | 1 |
_aGrassl , Markus _eeditor. |
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| 700 | 1 |
_aCampagne, Augusta _eauthor. |
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| 700 | 1 |
_aKapp, Reinhard _eeditor. |
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| 264 | 1 | _bBöhlau, | |
| 300 | _a1 online resource (401 p.) | ||
| 520 | _aSimone Verovio was the first printer to produce a substantial number of musical prints using engraved copper plates. This intaglio printing technique not only allowed him to print on demand, but also to combine different kinds of notation on one page opening: voice parts with corresponding harpsichord and lute intabulations. This detailed comparison of intaglio and relief printing techniques in the editions associated with Verovio sheds light on the production of sheet music around 1600 and the comparison of the vocal and instrumental parts provides ground-breaking insights into historical performance practice. | ||
| 588 | 0 | _aDescription based on print version record. | |
| 590 | _aKU Open Services | ||
| 650 | 7 |
_aMusic _2bisacsh |
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| 650 | 0 | _aMusic | |
| 655 | 0 | _aElectronic books. | |
| 758 |
_iIs found in: _aKnowledge Unlatched _1https://openresearchlibrary.org/module/2774bc74-146a-484f-a7ba-ab1d6a09bbfb |
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| 856 | 4 | 0 |
_uhttps://openresearchlibrary.org/content/3f67c853-953a-4aa5-bdc7-4534ab144228 _zView this content on Open Research Library. _70 |
| 999 |
_c33666 _d33666 |
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