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001			101227
003			KnowledgeUnlatched
005			20210303105145.0
006			m o d
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008			210129p20172019gw o u00| u eng d
037			_5BiblioBoard
245	0	0	_aFaking, Forging, Counterfeiting _bDiscredited Practices at the Margins of Mimesis / _cDaniel Becker, Annalisa Fischer, Simone Niehoff.
020			_a9783837637625
029	1		_ahttps://library.biblioboard.com/ext/api/media/d30f4130-cb4f-41d3-9d83-dba5765bfd85/assets/thumbnail.jpg
040			_aScCtBLL _cScCtBLL
506	0		_aAccess copy available to the general public. _fUnrestricted _2star
700	1		_aBecker, Daniel _eeditor.
700	1		_aFischer, Annalisa _eeditor.
700	1		_aNiehoff, Simone _eeditor.
264		1	_btranscript Verlag,
300			_a1 online resource (250 p.)
520			_aForgeries are an omnipresent part of our culture. They are closely related to historically and culturally informed ideas of authenticity, legality, authorship, creativity, tradition and innovation. Based on the concept of mimesis, the volume illustrates that forgeries are thus not to be understood as a negative copy or disgraced rip-off of an original â€" but as an autonomous aesthetic practice, a creative act in itself. The contributions focus on such different implementations such as faked traditions, pseudotranslations, imposters, identity theft, and hoaxes in different arts and historic contexts. Most importantly, they scrutinize the bonds and borders between original and forgery, and turn out their epistemic capability.
588	0		_aDescription based on print version record.
590			_aKU Select 2017: Front list Collection
650		7	_aHistory / Social History _2bisacsh
650		0	_aHistory
655		0	_aElectronic books.
758			_iIs found in: _aKnowledge Unlatched _1https://openresearchlibrary.org/module/2774bc74-146a-484f-a7ba-ab1d6a09bbfb
856	4	0	_uhttps://openresearchlibrary.org/content/d30f4130-cb4f-41d3-9d83-dba5765bfd85 _zView this content on Open Research Library. _70
999			_c33795 _d33795