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| 001 | 101121 | ||
| 003 | KnowledgeUnlatched | ||
| 005 | 20210303105200.0 | ||
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| 008 | 210129p20162019xxk o u00| u eng d | ||
| 037 | _5BiblioBoard | ||
| 245 | 0 | 0 |
_aFilming The End of the Holocaust _bAllied Documentaries, Nuremberg and the Liberation of the Concentration Camps / _cJohn J. Michalcyzk. |
| 020 | _a9781474282789 | ||
| 029 | 1 | _ahttps://library.biblioboard.com/ext/api/media/8def2b4b-71eb-4ed9-90a3-2576f75a5701/assets/thumbnail.jpg | |
| 040 |
_aScCtBLL _cScCtBLL |
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| 100 | 1 |
_aMichalcyzk, John J. _eauthor. |
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| 264 | 1 | _bBloomsbury Academic, | |
| 300 | _a1 online resource (243 p.) | ||
| 506 | 0 |
_aAccess copy available to the general public. _fUnrestricted _2star |
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| 520 | _aFilming the End of the Holocaust considers how the US Government commissioned the US Signal Corps and other filmmakers to document the horrors of the concentration camps during the April-May 1945 liberation. The evidence of the Nazis' genocidal actions amassed in these films, some of them made by Hollywood luminaries such as John Ford and Billy Wilder, would go on to have a major impact at the Nuremberg Trials; they helped to indict Nazi officials as the judges witnessed scenes of torture, human experimentation and extermination of Jews and non-Jews in the gas chambers and crematoria. These films, some produced by the Soviets, were integral to the war crime trials that followed the Holocaust and the Second World War, and this book provides a thorough, close analysis of the footage in these films and their historical significance. | ||
| 588 | 0 | _aDescription based on print version record. | |
| 590 | _aKU Select 2017: Backlist Collection | ||
| 650 | 7 |
_aHistory / Holocaust _2bisacsh |
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| 650 | 0 | _aHistory | |
| 655 | 0 | _aElectronic books. | |
| 758 |
_iIs found in: _aKnowledge Unlatched _1https://openresearchlibrary.org/module/2774bc74-146a-484f-a7ba-ab1d6a09bbfb |
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_uhttps://openresearchlibrary.org/content/8def2b4b-71eb-4ed9-90a3-2576f75a5701 _zView this content on Open Research Library. _70 |
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