| 000 | 02016nam a22003497a 4500 | ||
|---|---|---|---|
| 001 | 101571 | ||
| 003 | KnowledgeUnlatched | ||
| 005 | 20210303105212.0 | ||
| 006 | m o d | ||
| 007 | cr u|||||||||| | ||
| 008 | 210129p20182019xxu o u00| u eng d | ||
| 037 | _5BiblioBoard | ||
| 245 | 0 | 4 |
_aThe Witness as Object _bVideo Testimonies in Holocaust Museums / _cSteffi de Jong. |
| 020 | _a9781785336430 | ||
| 029 | 1 | _ahttps://library.biblioboard.com/ext/api/media/64960db4-5ab2-4079-af9d-f8d627f94e7c/assets/thumbnail.jpg | |
| 040 |
_aScCtBLL _cScCtBLL |
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| 100 | 1 |
_ade Jong, Steffi _eauthor. |
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| 264 | 1 | _bBerghahn Books, | |
| 300 | _a1 online resource (284 p.) | ||
| 506 | 0 |
_aAccess copy available to the general public. _fUnrestricted _2star |
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| 520 | _aToday more than ever before, the historical witness is now a “museum objectâ€_x009d_ in the form of video interviews with individuals remembering events of historical importance. Such video testimonies now not only are part of the collections and research activities of museums, but become deeply intertwined with narrative and exhibit design. With a focus on Holocaust museums, this study scrutinizes for the first time this new global process of “musealisationâ€_x009d_ of testimony, exploring the processes, prerequisites, and consequences of the transformation of video testimonies into exhibits. | ||
| 588 | 0 | _aDescription based on print version record. | |
| 590 | _aKU Select 2017: Front list Collection | ||
| 650 | 7 |
_aArt / Museum Studies _2bisacsh |
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| 650 | 0 | _aArts | |
| 655 | 0 | _aElectronic books. | |
| 758 |
_iIs found in: _aKnowledge Unlatched _1https://openresearchlibrary.org/module/2774bc74-146a-484f-a7ba-ab1d6a09bbfb |
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| 856 | 4 | 0 |
_uhttps://openresearchlibrary.org/content/64960db4-5ab2-4079-af9d-f8d627f94e7c _zView this content on Open Research Library. _70 |
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_c33888 _d33888 |
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