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008			210129p20192019gw o u00| u eng d
037			_5BiblioBoard
245	0	0	_aPopular Music and Public Diplomacy _bTransnational and Transdisciplinary Perspectives / _cSina A. Nitzsche, Mario Dunkel.
020			_a9783839443583
024	8		_ahttp://dx.doi.org/10.14361/9783839443583
029	1		_ahttps://library.biblioboard.com/ext/api/media/422dabda-0d15-4fb7-847b-a0d3dd102bff/assets/thumbnail.jpg
040			_aScCtBLL _cScCtBLL
506	0		_aAccess copy available to the general public. _fUnrestricted _2star
700	1		_aNitzsche, Sina A. _eeditor.
700	1		_aDunkel, Mario _eeditor.
264		1	_btranscript Verlag,
300			_a1 online resource (330 p.)
520			_aIn the early years of the Cold War, Western nations increasingly adopted strategies of public diplomacy involving popular music. While the diplomatic use of popular music was initially limited to such genres as jazz, the second half of the 20th century saw a growing presence of various popular genres in diplomatic contexts, including rock, punk, reggae, and hip-hop. This volume illuminates the interrelation of popular music and public diplomacy from a transnational and transdisciplinary angle. The contributions argue that, as popular music has been a crucial factor in international relations, its diplomatic use has substantially impacted the global musical landscape of the 20th and 21st centuries.
588	0		_aDescription based on print version record.
590			_aKU Select 2018: HSS Frontlist Books
650		7	_aMusic / History & Criticism _2bisacsh
650		0	_aMusic
655		0	_aElectronic books.
758			_iIs found in: _aKnowledge Unlatched _1https://openresearchlibrary.org/module/2774bc74-146a-484f-a7ba-ab1d6a09bbfb
856	4	0	_uhttps://openresearchlibrary.org/content/422dabda-0d15-4fb7-847b-a0d3dd102bff _zView this content on Open Research Library. _70
999			_c33918 _d33918