000			02201nam a22003617a 4500
001			102012
003			KnowledgeUnlatched
005			20210303105244.0
006			m o d
007			cr u||||||||||
008			210129p20112019miu o u00| u eng d
037			_5BiblioBoard
245	0	0	_aBytes and Backbeats _bRepurposing Music in the Digital Age / _cSteve Savage.
020			_a9780472901180
024	8		_a10.3998/mpub.3432847
029	1		_ahttps://library.biblioboard.com/ext/api/media/b306aeab-d698-4cce-9ed9-6000722b6c4c/assets/thumbnail.jpg
040			_aScCtBLL _cScCtBLL
100	1		_aSavage, Steve _eauthor.
264		1	_bUniversity of Michigan Press,
300			_a1 online resource.
506	0		_aAccess copy available to the general public. _fUnrestricted _2star
520			_aFrom Attali's "cold social silence" to Baudrillard's hallucinatory reality, reproduced music has long been the target of critical attack. In Bytes and Backbeats, however, Steve Savage deploys an innovative combination of designed recording projects, ethnographic studies of contemporary music practice, and critical analysis to challenge many of these traditional attitudes about the creation and reception of music. Savage adopts the notion of "repurposing" as central to understanding how every aspect of musical activity, from creation to reception, has been transformed, arguing that the tension within production between a naturalizing "art" and a self-conscious "artifice" reflects and feeds into our evolving notions of creativity, authenticity, and community.
588	0		_aDescription based on print version record.
590			_aKU Select 2018: HSS Backlist Books
650		7	_aMusic / History & Criticism _2bisacsh
650		0	_aMusic
655		0	_aElectronic books.
758			_iIs found in: _aKnowledge Unlatched _1https://openresearchlibrary.org/module/2774bc74-146a-484f-a7ba-ab1d6a09bbfb
856	4	0	_uhttps://openresearchlibrary.org/content/b306aeab-d698-4cce-9ed9-6000722b6c4c _zView this content on Open Research Library. _70
999			_c33990 _d33990